The moon was huge last night, I spend several hours listening to my Japanese pressings from the late 70’s. Ramsey Lewis stuff from the late 70’s is so amazing, just superb analog quality.
I decided to mount my silver FR-7f on FR-64fx with N60 and second tonearm was FR-64s with B60 and FR-7fz cartridge.
Both connected to Gold Note PH-10 (0db, 22Ohm loading). Not sure why it’s necessary to load FR-7 carts like than on Gold Note, even with 22 Ohm it’s super detailed.
I really enjoyed FR-7f with FR-64fx! This is rare version of the FR-7f, it’s not black, it’s silver color (serial number with two digits) with a line mark on front side (don’t know why this line wasn’t printed on FR-7fz, it’s great to locate the position of the stylus). The output difference between the FR-7f and FR-7fz is irrelevant in my system.
Both are really great cartridges and both tonearms are great, so I do not support a theory that only 64s is great, the 64fx with B250 counterweight is great tonearm! I am happy to use both!
I decided to mount my silver FR-7f on FR-64fx with N60 and second tonearm was FR-64s with B60 and FR-7fz cartridge.
Both connected to Gold Note PH-10 (0db, 22Ohm loading). Not sure why it’s necessary to load FR-7 carts like than on Gold Note, even with 22 Ohm it’s super detailed.
I really enjoyed FR-7f with FR-64fx! This is rare version of the FR-7f, it’s not black, it’s silver color (serial number with two digits) with a line mark on front side (don’t know why this line wasn’t printed on FR-7fz, it’s great to locate the position of the stylus). The output difference between the FR-7f and FR-7fz is irrelevant in my system.
Both are really great cartridges and both tonearms are great, so I do not support a theory that only 64s is great, the 64fx with B250 counterweight is great tonearm! I am happy to use both!