Rx8man,
have you tried the Stereovox HDX2 already? How good is it? Is it much better than the less expensive hdvx?
regarding the CEC, I had a TL-1X at home, but the unit was defective and "died" 15 minutes I turned it on ... anyway I'm looking for something more affordable. Do you think the new TL-51x is much inferior to the TL-2x?
Sundance,
here goes a short description:
The Reimyo DAC shares the attributes of the CDP. One can speak of its speed, detail. About how transparent it sounds and how dense, large and focused it soundstage is. But, imo, what's most important is how it manages to make sense of the music. It sounds extremely LUCID.
As it is so transparent, I think it will show clearly the character of the auxiliary equipment - digital cable and transport for this purpose.
I listen mainly to chamber and ancient music (Baroque, Renaissance, middle age). This kind of music is very demanding. It is sinuous, subtle and full of contrasts. The transport should cope with this demands ...
Vermeer
have you tried the Stereovox HDX2 already? How good is it? Is it much better than the less expensive hdvx?
regarding the CEC, I had a TL-1X at home, but the unit was defective and "died" 15 minutes I turned it on ... anyway I'm looking for something more affordable. Do you think the new TL-51x is much inferior to the TL-2x?
Sundance,
here goes a short description:
The Reimyo DAC shares the attributes of the CDP. One can speak of its speed, detail. About how transparent it sounds and how dense, large and focused it soundstage is. But, imo, what's most important is how it manages to make sense of the music. It sounds extremely LUCID.
As it is so transparent, I think it will show clearly the character of the auxiliary equipment - digital cable and transport for this purpose.
I listen mainly to chamber and ancient music (Baroque, Renaissance, middle age). This kind of music is very demanding. It is sinuous, subtle and full of contrasts. The transport should cope with this demands ...
Vermeer