Shadorne, I understand your moderate position. Please take no offense when I simply say that I strongly suspect that DBT is an invalid testing of what people hear. I am not really concerned either that some, myself included, cannot hear differences in the typical same versus different format so commonly used in DBT. People do hear differences when double blind testing is just a which do you prefer of amps A, B, and C. I don't really have much trust in many reviewers and don't need their inability to hear difference in same/different tests to be convinced.
I absolutely concur that we need to be wary of exorbitantly high priced equipment and rave reviews and claims by salesmen and reviewers. But we should equally be ready to hear true quality in some more expensive equipment. Quality parts cost money and research and design work has to be paid for. Too often I have heard some expensive gear that truly is excellent in my opinion and which I remain thrilled with. My Reimyo PAT777 amp and Shindo Labs turntable are but two examples. I also have a relatively inexpensive line stage, phono stage, and universal player that are at least the equals of much more expensive equipment, again in my opinion.
I once heard a $350,000 amp at CES. I listened with no intention of ever buying one. It was the best sounding amp I ever heard. The Stereophile reviewer also loved it, but it measurements looked bad and so they dismissed it. The objectivists ranted that Stereophile should not have even reviewed it. I ranted that they should have heeded their ears rather than their inadequate instruments. I still would not consider buying it largely because I just cannot afford it.
I absolutely concur that we need to be wary of exorbitantly high priced equipment and rave reviews and claims by salesmen and reviewers. But we should equally be ready to hear true quality in some more expensive equipment. Quality parts cost money and research and design work has to be paid for. Too often I have heard some expensive gear that truly is excellent in my opinion and which I remain thrilled with. My Reimyo PAT777 amp and Shindo Labs turntable are but two examples. I also have a relatively inexpensive line stage, phono stage, and universal player that are at least the equals of much more expensive equipment, again in my opinion.
I once heard a $350,000 amp at CES. I listened with no intention of ever buying one. It was the best sounding amp I ever heard. The Stereophile reviewer also loved it, but it measurements looked bad and so they dismissed it. The objectivists ranted that Stereophile should not have even reviewed it. I ranted that they should have heeded their ears rather than their inadequate instruments. I still would not consider buying it largely because I just cannot afford it.