Rock and Roll Snobbery


Can anyone explain why otherwise high end, musical systems might "not be good for rock and roll?" Or why a system that sounds fine for pop and rock might not do justice to classical and jazz? It seems to me that a great system should sound good with all types of music and that a good for classical system might be deficient in bass which is not exactly state of the art.
charlestrainc33c
hi charles,

i agree w/ewe - a *great* system should do *everything* well. it has to for me, cuz i like small acoustical stuff, as well as loud raucous music. that said, not everyone is like me, & there *are* some speakers - martin logan cls' come to mind - that are excellent, amazing, really, w/smaller-scale music, but they yust don't have the dynamics for large-scale & electronic/rock music.

regarding speakers that sound fine for pop/rock, but not smaller-scale works, *i* haven't heard 'em, but i understand why this could be true for some - as long as speakers can go loud w/out distorting, this is fine for some rock-lovers - soundtaging cues, depth, tonal accuracy, etc, oftentimes take a backseat to the enjoyment of this music, for lotsa folks.

one person's opinion, doug

Seems perfectly logical to me that systems would not be for all music types. Look at musical instruments themselves. Some violins are better for classical, some as fiddles for country music, some for Irish folk music. There are all kinds of guitars for different kinds of music. And so on and so forth.
A system put together with low distortion, wide dynamic and flat frequency response components should be able to handle all types of music. However, such a system is by necessity somewhat expensive (say, $8k plus). It's usually below this price point (and the exact breakpoint is open to argument) that compromises start to set in that may favor one type of music over another. Classical/acoustic oriented system below the breakpoint will most likely favor tonal accuracy over deep bass and maximum SPL capabilities. Pop/rock systems will favor systems that go loud, have a mid-bass punch (80Hz to 120Hz) and a forward midrange. Bluntly put, pop/rock music does not demand as accurate a tonal reproduction as classical/acoustic based music. Whereas, a cello should always sound like a cello, an electric guitar can sound like alot of things. Prior to the guitar signal even reaching tape, the musician has usually added harmonic distortion, digital reverb/delay, massive EQ and dynamic compression. The guitar sound is then usually processed further as part of the mix down. Hence, it's hard to say exactly what is fidelity in pop/rock recordings. Furthermore, most pop/rock recordings are not mixed to be played on high resolution systems. The producers, engineers and the musicians make assumptions about how their music is most likely to be heard (MTV, car radio, boombox, etc.) and they tailor the sound accordingly.