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Room correction in high-end system???

OK,lots of praise has been heaped on the Tact and Sigtech RCS systems, including in this months TAS. However, I believe my system is pretty high-end (at least by the "How much does your system retail for?" thread) and do not want to harm the already fine sonic charactersitics. I am generally of the mind that "less is more".

Things that concern me are:
- Putting an A/D and then D/A into my vinyl playback chain.
- Putting a lower quality D/A in place or in addition to my SF Processor 3.
- Replacing my beloved BAT VK-50SE pre with a one box DAC/ADC/RCS/PRE.

If my system were in the sub $40k retail range, I would be running to a room correction system, but am a little sceptical given my current investment. It might even be a little snobbishness. However, if I do like it better with RCS, I'd end up saving a bucket of dough.

Has anyone with a well set-up room and system tried one of these? I'd be expecially curious if Mr. Porter or some of the other vinyl fans have had one of these in their system.

Thanks,
Meta
metaphysics
lornecherry
135 posts
 
Audioguy, are you saying that the digitized LP sounds better than a digitized CD or are you saying that a digitized signal from a turntable front end sounds better than that of a non-digitized LP? -- i.e. can we expect better performance from a Tact or Sig on an analog front end?
audioguy123
40 posts
 
I am saying several things: (1) the digitized LP sound better than the CD of the same recording (ignoring the room correction), but(2) even if the digitized LP is not a good as the non-digitized LP, the room correction advantages far outweigh any degradation you might get from the digitization process.
saka1a2b
1 posts
 
which ones is better imean sonically no significant
accuphase dg 28 or tact?
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