Schroder sq and the new talea


I heard there was to be a fun time of learning and comparing of these two arms at the rmaf. Since the talea is relatively new, it still has to stand the test of time with comparisons on other tables, other systems and the selective and subjective tastes of discerning audiophiles! There is to be a comparison in one of the rooms at the rmaf this year, which i wasnt able to make. I would be curious to hear some judicial, diplomatic, friendly talk about how they compared to each other in the same system and room. I currently own the origin live silver mk3 with a jan allaerts mc1bmk2 and am enjoying this combo but have become curious about the more popular "superarms" Hats off to both frank and joel.

I hope this thread draws more light rather than heat. If someone preferred one arm over the other it would be OK. With all the variables it doesnt mean that much to me. What matters to me is what it sounds like to me and in my room. With that said...

What was your bias? was it for the schroder or the talea?

cheers!...
vertigo
By the way, a fellow named Rabinow invented the Rabco tonearm(s). He lived here in the Washington, DC, area, I think, and was a friend also of Herb Papier, who designed and hand-built the Triplanar. The Rabco tonearm was just a sideline for Mr. Rabinow, as I recall. I guess Dave Shreve improved the Rabco breed; I seem to remember when that happened, after Mr. Rabinow either passed away or just lost interest in the product. Successful audio designers seem to have a lot in common with other successful entrepreneurs; they are first of all smart/creative/insightful, but they also have the perseverance (and in some cases the cash) necessary to bring a product to market.
Mark,

We see things that seem so elaborate, but it's the ones that appear to be so straightforward that appeal to me. It is like they are more honest. I suppose it is that aspect that defines us as audiophiles, and draws us to certain audio equipment designs, and even to certain music.

In a curious sort of way, it also biases us to a point that we fail to consider some of the alternatives out there. Maybe audio is less free thinking that we are willing to admit, but still, I try my best to find the silver lining in both the visions of others, and in various sorts of music.

Don't mind me, I'm willing to accept Pro Tools produced recordings and drum machines, if the artist is honest enough to present the work for what it is without apologizing for what it is not. All we can hope for in the end is a musical experience that is genuine, and one we can relate to. The best case is the best presentation of that performance inside our house. That sounds easy, right? Some would have us think so, but I'm not so sure.
Mosin, the most important (and true genius ) thing about "thinking outside the box" (in audio) is the ability to sell it (the mere thinking and its results...) to those inside the box.......
Its not the devil who is in the details but - according to Mies van der Rohe: "God lives in the detail".
True art is the result of craftsmanship combined with inspiration and (most important and mostly lacking) taste. And there are always only two options in taste - good and none.
The discriminated analog Enthusiast shouldn't be despaired, do your own comparison with the Originals: Well Tempered Arm /Triplanar.

Good point, Syntax. The Schroeder is son of Well-Tempered, and the Talea is son of Triplanar (as are Reed and Grandeeza).

Syntax & Lewn: this might be a silly/obvious question on my part but how do you guys know that Schroeder has its origins in the Well-Tempered tonearm & the Talea in the Triplanar??
Is it the mere looks that gives this information away? Any material I can read to educate myself?
I am interested in knowing more about both arms hence my question(s). Thanks.
In the elder days of Art,
Builders wrought with greatest care
Each minute and unseen part;
For the Gods see everywhere.
(Longfellow)