... but I am perfectly willing to believe (i) that the overall excellence of phono reproduction depends nearly as much upon tonearm/cartridge matching as it does on the excellence of the tonearm design, and (ii) that some other tonearm design could be "better" using my favorite cartridges. I am happy to see that Talea, Reed, Schroeder are not afraid to attempt to advance the state of the art, and perhaps they have...
May I say, that dreaming or believing has nothing to do with knowledge, engineering and real quality from geometrics and material mix?
I am impressed, that the Statement "State-of-The -Art" is given so easily.
May I ask why? I think, their pricing is State of the Art and from what do we benefit if these guys are successful?
Empty wallet? I agree, then walking is a bit easier...and can someone please explain what do I have from a perfect cartridge/tonearm matching when the Arm itself is nothing special?
A real State-of-the-art Arm will give you better sonic results even with cartridges which are a bit outside of the 8-12 range. This is completely useless, too because wood, titan, composite, aluminum, tubes dampened inside, has total different energy transfer rates...or quality of bearing, ability to guide a cartridge etc.