Seek cartridge w/ following description :

Opus88,

I think I wrote what I meant. Here it is in different terms...

Of the three top ZYX's, the Airy 2 has the most distant hall perspective. Something like rows 5-10, obviously somewhat subjective and always dependent on the recording.

The Airy 3 puts you closer. Front row to podium is typical. This is due to its more extended top end and to its generally more free and open character.

The UNIverse puts you wherever the microphones were. Its noise floor is far lower than its lesser cousins, so it reproduces very low levels of information. You don't just hear orchestra members turning pages, you hear them breathing. Yet at the same time you hear hall echoes clearly delineated from the direct sound of the instruments. On a good record this simultaneous sense of intimacy with the musicians within a large, clearly depicted soundstage can be almost uncanny.

Hope that helped clarify,
Doug

Raul, Ideally I would run the helikon with the well tempered arm. As far as the helikon versus the celebration I say change arms and stay with the helikon.

Dougdeacon...At rows 5 to 10, the Airy 2 is the most distant sounding ? I'm not making fun of your statement, I'm just sort of amazed ! Rows 5 to 10 are pretty close to things. To echo the old cliche, "it's all relative" ; that is, to the other two cartridges. No wonder I thought you may have unintentionally erred in your earlier staement. In any event, all very interesting. I'll have to take a more serious look here. Thank you.

They all have 'speed'--
Don't know anything about seating row positioning, except laid back vs. forward presentation--
And the trade-in price I paid still leaves me woozy since it's the most I've ever paid for a cart, and it only has 60 hrs on it, and it's in "only" a SME 309 w/o damping, but the sumiko celebration is certainly the best I've had. Aural memory disclaimer here. (I waited 50 hrs - after a functional check - before listening).

Upside-
Dynamics. Soft is soft, and loud is loud.
TB. W/ Alnico magnets, she loves electric instruments, and she really loves guitar amps. Other wise, very realistic timbre on acoustic instruments.
Channel balance/cantilever alignment. First rate.
Musicality. First rate. She'll pull you in, and you'll run through a whole side.
Packing. I thought I hated extravagence, but there's a cool surprise inside the cardboard box. Top flight stainless hex-head cap screws. The 27 pg. owners booklet was written in the US and in american english. No 10 other translations available in this one. It's a reference standard in installation and setup.
Nits. On the occasional record, and on the occasional track, she can be a little "barky" or "shouty" in a narrow frequency range in the upper mids/ presence range on dynamic passages.. Not even worried at this point... tuning, software, even the ginko cloud under the vpi is suspect.

Neutral to downside-
Dust magnet on the bottom side. Gets fuzzy fast.
Odd 1000 ohm loading. 47k is listenable, but doesn't like loud passages. The importer - sumiko - *still* hasn't adjusted the WebSite figure vs. the manual figure vs. the box labeling. Extraordinary sloppiness.
Output- 0.5mV Wish it were 0.75+... Straight into an ARC SP-9, it's between 12:30 and 3:30 on the volume.

That's about it.

if you can pick a deal for a Benz Ruby get it...one of the most balanced carts i know. from bass to treble very even top notch resolution but never clinical or too analytic. with dynamics to die for.