Shelter 90X Tracking Force

Hey Thom,the Durascale 100 looks to be a SUPERB product.With the modification you are going to do to it,it would be hard to beat.I love the fact that it has a thirty year warrantee!I like quality stuff.
Could you elaborate as to when you will be selling this(with ledge/shelf mod),and what it would cost.If I could fit it in my budget,I'd consider selling my cute new,but cheap looking,guage.

Best!

Doug,

Thanks for your reply. I guess reading the Rega manual was a waste of time too ;) I guess the fustration is finding "neutral VTA", which I thought was achieved when achieved when the tonearm is parallel to the record surface... I was going to then use this as a starting point... I'm still trying to get to this starting point ;) I'll keep at, but thanks for your reply.

-Marc

Marc,

I learned a great trick from a post no too long ago on this subject by Nsgarch. He had a great technique using a mirror and jewelers loupe. Try a search and I bet it comes up quick. His technique uses the vertical position of the stylus to determine the perpendicular setting, which is what you would be wanting with a supposed level arm. From there he as a very logical method for adjusting the arm to give a desired SRA. It's a great read and may work well for you.

Best and have fun!

Dan

Nsgarch's method correctly focuses on optimizing SRA. That's where the rubber meets the road, so if you're seeking the "best" starting point for arm height this is probably it.

BTW, there's a superb article in the FAQ's over at VA. Jon Risch authored a method similar to Nsgarch's many years ago. His article is titled "VTA once and for all". Highly recommended.

My only objection to setting SRA by eye is that it requires a bit of fussing and, when the fussing's done, all you've achieved is a good estimate for records of one particular thickness. Record thicknesses vary and even records of the same thickness were produced with different cutting angles. Setting SRA visually cannot account for the latter.

Since one can only know the ideal setting for a record by listening, it seems like an unecessary chore (to me) to fuss over a visual SRA angle that I'm going to change anyway.

My preferred method is simpler. Place the cartridge at an angle known to be effective for that cartridge. Adjust by ear from there. This starting point isn't as precise as a visual SRA inspection but it's easy to find: no magnifier, no bright lights.

If I'm going to adjust by ear, identifying a precise starting point is just not that critical.