Slew Rate?


Can anyone explain what a 'slew rate' is and how it relates to a power amps performance? What to look for as a measurement? I notice Parasound publishes the slew rate of their amps, but haven't noticed many other manufacturers.

ALSO, I'm looking at purchasing a planar speaker -- I'm looking at Eminent Technology ---- and I believe someone once said or wrote that what one should look for in a power amp to power planars is a lot of "Volts" as opposed to "watts" --- any comments?

Thank You
sedona
Sean;
Ok I have done some more reading and have some more questions. Do you have some values that you can apply to your reccomendations ? If, as so many of the knowledgable people have stated, the manufactures specifacations are
dubious at best how can one get it right if they can not listen to a great many pieces ? Who or what can we trust ?
Slew rate and frequency response are both important because one addresses transient response and the other addresses steady-state response. No slew-rate spec is going to tell you what the amp will sound like. There are several reasons:

1) Transient response can vary as a function of frequency, and usually does - this is controlled by the power delivery topology of the amplifier

2) Fast slew-rates can be underdamped or overdamped, and if you are lucky, critically damped. This means that the transient overshoots when the amp is underdamped causing a higher voltage than that in the original waveform. If the amp is underdamped, then the transient does not reach the voltage that is in the recording.

There is no commonly practiced spec that captures the above phenomena.

Steve N.
Manufacturer
Empirical Audio
While those are good points Steve aka Audioengr, how many "ultra-fast" components have you ever seen that suffer from severe over or under-shoot? This is not to say that all "fast" components are properly designed / stable into every load possible, just that they typically have a little more thought and care put into their design and implimentation.

Saki: Some manufacturers are reliable in terms of the spec's that they print. If you can't get spec's from them directly, you'll have to rely on third party testing like Stereophile, Soundstage, etc....

As far as listing specifics that i personally consider to be "acceptable levels of performance", that would open up yet another massive can of worms without accomplishing much. That's because people would end up becoming "spec readers" without really knowing what they were looking at. This is how we ended up with SS amps that had .00X amounts of distortion back in the late 1970's / 1980's. Even though the amps measured well on paper, they sounded as sterile and lifeless as could be. This was primarily due to the use of gobs of negative feedback, which was a spec that most manufacturers never provided although some did openly discuss.

As mentioned in another thread, spec's can be manipulated to make a product look "good" to the consumer and unless the consumer knows how the spec's are derived and what they really mean, they'll never know the difference. As such, providing a "seal of approval" by listing numerical values for each of the above mentioned spec's would probably only end up creating more confusion in the long run. Sean
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Overshoot on transients has, in times past, been deliberately introduced so as to compensate for the slow rise time of loudspeaker drivers. I don't know if anyone does this anymore. A good idea in theory, but probably difficult to execute without problems.