the hegel h390 and 590 are voiced a touch warmer than the lower hegel integrateds... different circuitry in the preamp section developed for those higher models shape the tonality a touch
i would agree that most hegels, from the last gen h160 h300 h360 to current gen lower models up to the h190 are very very neutral (and that means no treble emphasis that many if not most other ’good’ solid state class ab amps still have...), but the h390 and h590 were built to offer the listener a bit more ’luxurious sound’ than their junior siblings
many good speakers have been named, i won’t add further to the list... given op prefers to err on the slightly warm side rather than the bright side, i would lean towards harbeth, vandersteen, spendor classic, and lean away from focal, magico, spendor d series, top tier kefs... but given the basic neutrality of the hegels, it may well the source and the room the op uses that dictate where he lands on the warm vs cool spectrum in making the speaker selection
wish the op good luck in auditioning and finding what works for him
i would agree that most hegels, from the last gen h160 h300 h360 to current gen lower models up to the h190 are very very neutral (and that means no treble emphasis that many if not most other ’good’ solid state class ab amps still have...), but the h390 and h590 were built to offer the listener a bit more ’luxurious sound’ than their junior siblings
many good speakers have been named, i won’t add further to the list... given op prefers to err on the slightly warm side rather than the bright side, i would lean towards harbeth, vandersteen, spendor classic, and lean away from focal, magico, spendor d series, top tier kefs... but given the basic neutrality of the hegels, it may well the source and the room the op uses that dictate where he lands on the warm vs cool spectrum in making the speaker selection
wish the op good luck in auditioning and finding what works for him