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Soulution 710 Amplifier and 720 Preamplifier

Friends:

I am just curious how much better these ultra-reference, ultra-expensive Swiss units are than well respected American reference products like Pass Labs, Spectral, Boulder, Clayton Audio on the SS side or VAC on the tube side.

I am driving German Physiks Carbon mkIV omnidirectionals.

I am told the Soulutions are ultra neutral, ultra-transparent,and ultra musical, sharing the finest characteristics of tubes and SS, yet high bias class AB I'm told by a dealer.

I realize all is in the ear of the beholder, but are these swiss designers using better parts, more innovative circuitry, etc to generate a level of musicality and purity a notch above the finest US brands?.

I am looking for a final purchase as I approach retirement, and am actually considering the Soulution 710 Amp and 720 Pre (an almost mind-boggling cost of $85,000 retail, less a fair discount)..yes I am most fortunate to be in this position, but I do not wish to pay $40,000 extra for 3% difference in sound quality. (I realize this is the nature of purchasing ultra-reference high end gear)

Any strong opinions about the Soulution line would be greatly appreciated (including reliability) Yes, I am planning a trip to NYC in less than 5 weeks to audition, but your thoughts would be a helpful foundation to my audition.

Thanks in advance
Brian
audiobrian
wadav
84 posts
 
I do not believe Goodwins sells Soulution
sirspeedy
738 posts
 
I have a sneaky suspicion that the Clayton Audio amps are about as good as anyone actually could "need",from a strictly performance stand point....in a system where their power delivery is adequate.

I'm getting very suspicious of much of the mainstream stuff,that is SO hyped in the press.

From my experience,a well thought out system can be had for a "fraction of what we are led to believe".....

I wonder why?....just one man's opinion-:)
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ozy
128 posts
 
the new GRYPHON colleseum monos and mirage preamp should also be on your list-- with pure linear class a operation, these amps have sheer musicality and authority, and contemporary- art looks.
as for the tidal amps+pre-- if they sound anything like their speakers( and i have a feeling they do...), they the tidal electronics ought to be auditioned as well.

word on the street is that the tidal precensio preamp is a revelation!
classicjazz
153 posts
 
At the level of gear to which you refer, I am not sure that there are clear superiors or inferiors. I would imagine that in well-optimized systems each brand provides an array of virtues. The combination of each may differ slightly and ideally you would pick one that suits your own taste. Certainly, the cost of different gear can be attributed in part to the build quality, levels of supply chain markup etc. If you read through reviews of Soulution, you will see that the list prices have risen dramatically from 2005. I believe the 710 preamp began around 14000 Euros and now it is closer to 27000.

I have owned top Levinson, Rowland, ARC, Pass, Brinkmann gear and now have Boulder and Goldmund (second go round with G for me). There are differences between the latter two; how they mate with your speakers will also be critical.

Paul at Goodwin's told me that they will eventually be bringing in Soulution gear and they can order it but given the state of the economy, they are not ready to show the equipment on the floor just yet. This may change and I'd advise inquiring with them.

Stanton Sound and Vision (Thomas) is also a very even-handed and thoughtful person and he can provide an informed perspective on Soulution and Boulder.
bvdiman
491 posts
 
Yes, I agree taste kicks-in big time at this level. Also highly dependent are the speakers you will be using them with. Again, it's essential that you do the final lengthy auditioning yourself. As for me, after doing rounds with Gryphon, Halcro, Goldmund Telos, Burmester, I ultimately preferred the Soulution. Probably them being closer to the FMA sound which I liked and had gotten used to.

In comparison to FM 611--the Soul 710 is 'very slightly' less refined up top (micro--inner detailing, air), but with more solid heft to their midbass (punch) and slightly better grip down low. Both equally transparent, have excellent speed and resolution with voicing aim towards the more neutral camp school of amplifiers. To sum it up, imo, they bring to the table closer to live interpretations of music from recorded materials.

However, if beautiful lush sound you are after, then they probably won't suit.
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