My Celestion Ditton 44's sound very good even after 46 years.
Speakers 10 years old or older that can compete with todays best,
I attend High End Audio Shows whenever I get a chance. I also regularly visit several of my local High End Audio parlors, so I get to hear quite a few different speaker brands all the time. And these speakers are also at various price points. Of course, the new speakers with their current technology sound totally incredible. However, I strongly feel that my beloved Revel Salon 2 speakers, which have been around for over ten years, still sound just as good or even better than the vast majority of the newer speakers that I get a chance to hear or audition in todays market. And that goes for speakers at, or well above the Salon 2s price point. I feel that my Revel Salon 2 speakers (especially for the money) are so incredibly outstanding compared to the current speaker offerings of today, that I will probably never part with them. Are there others who feel that your beloved older speakers compare favorably with todays, newfangled, shinny-penny, obscenely expensive models?
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@mikelavigne Well said !!!! |
@mikelavigne wrote:
For this context I’m inquiring merely on the use of DSP/electronic crossover as an approach replacing a passive ditto for outboard active configuration, and not - as an outset - with anything that involves digital room correction. What you’ve done acoustically is extremely dedicated and thoroughly executed; I can only assume you’ve achieved stellar results here in conjunction with your chosen hardware/gear and overall implementation.
First of all, any crossover option is a potential, but irrespective of the quality of the parts a passive crossover will always be a bottleneck between the amp and speaker (i.e.: impacting an amp’s ability to control the drivers) that prevents either to be nearer their fuller performance envelope - the more so the more complex the crossover at hand, with potentially severe impedance dips and steep phase angles which seem to be more prevalent among "high-end" segment speakers, and that therefore have a tendency to require very sturdy, more or less load indifferent (and very costly) amps to perform their best.
I’m not forgetting anything here, because outboard active config. doesn’t require of you to compromise with regard to amp choice. You can choose whatever amps you like this way seeing they don’t need to fit inside the speakers, however you do need more of them (as always with active config.) to feed each driver section with its separate amp channel. Remember, active config. is defined by the filtration part taking place prior to amplification on signal level, and not on the output side of the amp taking the full power as a passive approach. Not seeing into a passive crossover, not least a complex one will be making more effective use of the power at hand, why less power is needed for the same overall SPL actively. Moreso, and importantly, the actual sonic potential of a given amp will also see an uptick being presented to a much easier load actively, so here as well you can get by with less - should you so choose. It worth noticing also the power independency between the bandwidth limited amps; the bass amp could be blasting along, and it would mean zilch to the other amps feeding the remaining driver sections. To boot: the mids/tweeter amps would be rid of any LF signals, meaning even easier load and better sound. My advice though would be to use what’s essentially the same amps top to bottom, possibly power differentiated, to maintain coherency as best as possible.
It can do that for sure, but that’s still selling active short; it’s sad more audiophiles aren’t aware of the potential of active as an outboard (or, for that sake, bundled) and all-out solution, instead seeing it being met with conjecture, dogmatism even or what’s otherwise an ill-informed stance. Certainly here you could ask yourself what imparts the bigger obstacle: a passive crossover on the output side of the amps, or an active ditto feeding the signal inputs of dedicated amp channels looking directly into each of their drivers sections, conversion steps be damned. Only actual experimentation will make one the wiser.
Xilica make very good DSP’s (it’s what I use myself). ******* Look, I’m in no position nor do I intend to impose on you anything. The setup and room you have looks to be a true all-out approach years in the making, and one that’s rarely seen. And yet I felt slightly provoked by your all-analogue stance that I thought it interesting to tempt an active approach via DSP - only because I’ve seen it trump most any passive variant (i.e.: one and the same speakers converted from passive to active) that I’ve heard. @mijostyn wrote:
I only commented that it looked impressive, but I see no issue in assuming it sounds great. |
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