Stand out phono stages


This topic has been started before by others and myself as well, maybe too many times, but it is worth revisiting since the source is so very important!
So far I have had the pleasure to enjoy two worthy phono stages: the EAR 834p and the JLTI.
I have to admit they are spectacular. Obviously the record and all the equipment downstream play a role in the sound heard. In some cases I prefer the JLTI and in other cases the EAR. But neither out do the other dramatically.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.
pedrillo
Ttweights, Audiofeil is just keeping you on your toes. Don't take it personal.
I feel like at the level of phono stage we are all talking about here, it's more about system matching than what is "the best." My system is a little on the dark side and I've used many tube phono stages and now I'm finding that a solid state phono stage is really better for me. Helps the overall balance. ASR Basis Exclusive on the way. Looking forward to it being my "final" phono stage.
IMHO
I don't understand why anyone would have tube power amps, tube preamp and "settle" for a SS phono preamp.

Matching
My system is a little on the dark side and I've used many tube phono stages and now I'm finding that a solid state phono stage is really better for me. Helps the overall balance.
A classic example of applying a band-aid instead of addressing the problem at its source. That's not the path to high fidelity IME, certainly not at the performance level this thread is about.

If a system is a little on the dark side don't paper over the problem, identify which components make it dark and correct or replace them. It's impossible to counterbalance the distortions of one component by introducing distortions in another. In a sufficiently revealing system all you'll hear are the competing distortions.

Make each component as neutral as possible. That's what the best preamps or the best anything seek to do.

Harrumph! ;)

Make each component as neutral as possible. That's what the best preamps or the best anything seek to do

I agree, base a system on its strengths rather than using the weakness in one component to counteract the weaknesses in another!