Hi Raul, a provocative post that makes a lot of assumptions. Let me just say that enjoyment, involvement and putting on another record are the absolute goals for me. If the components that do this are neutral or coloured is neither here nor there. I dont evaluate equipment cerebrally but use my heart. In fact some of the most neutral, accurate pieces i have heard ove the years have often also been the most tedious to listen to. I hope that helps.
Stand out phono stages
This topic has been started before by others and myself as well, maybe too many times, but it is worth revisiting since the source is so very important!
So far I have had the pleasure to enjoy two worthy phono stages: the EAR 834p and the JLTI.
I have to admit they are spectacular. Obviously the record and all the equipment downstream play a role in the sound heard. In some cases I prefer the JLTI and in other cases the EAR. But neither out do the other dramatically.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.
So far I have had the pleasure to enjoy two worthy phono stages: the EAR 834p and the JLTI.
I have to admit they are spectacular. Obviously the record and all the equipment downstream play a role in the sound heard. In some cases I prefer the JLTI and in other cases the EAR. But neither out do the other dramatically.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.
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- 403 posts total
- 403 posts total