Thanks, Martykl,
Interestingly, because I can mute my Gryphon Colosseum amp, I often do so just to hear how much the Sub is working. I will say it surprises me how much it is active.
I don't hear notes per se, but the room seems tons bigger. This is on many, many recordings (live recordings) as well as deep house, electronic, soundtracks, etc.
I can mute my CJ preamp...which shuts off everything...and suddenly the 'atmospherics' disappear and I am back in our living room. But with the CJ UN-muted (but the Gryphon amp still on mute so no X1s)...those atmospherics come back again.
I believe this is part of what I like about good subs.
But your point is well taken...how much does this really alleviate from the X1s? The only thing I know is that DW himself designed the Wilson Thor/XS to be used with the big X-series speakers (cut off below 38-39hz with the Wilson Active crossover)...
guess there is only one way to find out! Thanks for your advice.
Interestingly, because I can mute my Gryphon Colosseum amp, I often do so just to hear how much the Sub is working. I will say it surprises me how much it is active.
I don't hear notes per se, but the room seems tons bigger. This is on many, many recordings (live recordings) as well as deep house, electronic, soundtracks, etc.
I can mute my CJ preamp...which shuts off everything...and suddenly the 'atmospherics' disappear and I am back in our living room. But with the CJ UN-muted (but the Gryphon amp still on mute so no X1s)...those atmospherics come back again.
I believe this is part of what I like about good subs.
But your point is well taken...how much does this really alleviate from the X1s? The only thing I know is that DW himself designed the Wilson Thor/XS to be used with the big X-series speakers (cut off below 38-39hz with the Wilson Active crossover)...
guess there is only one way to find out! Thanks for your advice.