Sean,
I first noticed the improvement in transaparency, openness, and soundstage when I had been using KEF Reference 102/2s with a Velodyne HGS-10,; it seemed intuitive to limit the frequency range, given the small size of the 102/2s. When I substituted the much larger KEF Reference 104/2s, I decided to send the full frequency range to them. But when a Velodyne HGS-15 from a local source was delivered by an installer very familiar with high-end audio, he suggested I use Proceed's 80 Hz crossover even with the 104/2s. I was surprised to find the the same effect as with the smaller speakers.
The HGS-15 sits on an Auralex SubDude, and blends seamlessly with the KEFs. For movies and HDTV, surrounds are a pair of 102/2s with a KEF 200 C center speaker. The other pair of 102/2s and the HGS-10 have been moved to a secondary system, and provide good sound for the living room.
db
I first noticed the improvement in transaparency, openness, and soundstage when I had been using KEF Reference 102/2s with a Velodyne HGS-10,; it seemed intuitive to limit the frequency range, given the small size of the 102/2s. When I substituted the much larger KEF Reference 104/2s, I decided to send the full frequency range to them. But when a Velodyne HGS-15 from a local source was delivered by an installer very familiar with high-end audio, he suggested I use Proceed's 80 Hz crossover even with the 104/2s. I was surprised to find the the same effect as with the smaller speakers.
The HGS-15 sits on an Auralex SubDude, and blends seamlessly with the KEFs. For movies and HDTV, surrounds are a pair of 102/2s with a KEF 200 C center speaker. The other pair of 102/2s and the HGS-10 have been moved to a secondary system, and provide good sound for the living room.
db