Dear @holmz : What Dover posted. You can read the link rigth from the Ortofon cartridge/SUT specs and then the measured sqare wave.
R.
SUT - electrical theory and practical experience
Some vinyl users use a SUT to enhance the signal of the MC cartridge so that it can be used in the MM input of a phono stage. Although I don't understand the theory behind it, I realize that a SUT should be matched individually to a particular cartridge, depending on the internal impedance of the MC, among other things.
Assuming an appropriately / ideally matched SUT and MC, What are the inherent advantages or disadvantages of inserting a SUT after the MC in the audio chain? Does the SUT theoretically enhance or degrade the sound quality? What does the SUT actually do to the sound quality?
Thanks.
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it would have been handy to have a physical triangular wave - cut into the track… and then everyone would be able to generate the square wave without needing a signal generator, |
@holmz the CBS STR-112 has a 1kHz square wave for the test you propose but be warned the results of this test from a cartridge is not for the feint of heart. And yes as you suspect due to the riaa filter the actual cut of the track appears as a triangle wave. dave |
Thanks Dave - I ordered one. |
Dear @holmz : Could be interesting to make some tests looking for the transient response rise time of a cartridge in an active high gain phono stage and other using SUT.
Exist a very old measurements made it by an electret vintage cartridge designer where he found out that the rise time of his designs was 2 micro seconds at 1khz generated square wave ( Osciloscope. ), moving magnet 25 micro seconds and a moving coil through a SUT 30 micro seconds.
That rise time is critical in transientes response by obvious reasons and you like to make measurements maybe you can do it. Just curious.
R.
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- 298 posts total