Synergistic Red Fuse ...

Charles,
Thanks for the kind words.

It's been very warm here this summer, some western Sydney areas having their hottest February daytime temp, 46.7C (116F) on record.

Yes almost there with my system(famous last words).

Colin Whatmough was held in high regard as a speaker designer and manufacturer before his sudden death.  His speakers have been available at certain times in the UK and the USA over the past 20 years but I don't think so anymore.

I think his current P33 model, both normal and the Signature iterations, are another classic design of Colin's.  To me they easily out perform imported speakers twice their price.  Regards Bruce

I haven't followed this thread too closely so I'm unaware of any consensus regarding position of fuses other than my own experiences regarding such. I found reverse, meaning lettering and wording, numbering to be backwords when I put in my SR Black into my Quicksilver full function preamp. A recent experience regarding the SR 20's in my Wright Mono 8's has me wanting to relay it to any who may find it helpful. 

I recently recapped my phono stage with Mundorf's SIO, to most excellent results btw, and after letting them settling in for at least a couple hundred hours I was getting, along with more detail,  a grunge, or grainyness at times when things get cooking with a lot of instruments at once. I was questioning this thinking more break-in perhaps, alignment/set up, or this that and the other, even my soldering perhaps and after addressing all the above and really dialing it all in to the nitty picky utmost, I thought fuses. So I pulled out the SR 20's in my Wright Mono 8's and I discovered they were in like normal left to right lettering and it was then I remembered reversing them for shite and giggles. I totally forgot I did that getting caught up in the excitement of the Mundorf cap tweak. After reversing, congestion grainy type thing all but gone. This is my story and I'm sticking to it. 

That’s weird. I thought SR didn’t believe in fuse directionality. Ergo, the lettering direction would be irrelevant. The lettering direction would help figure out which way to flip the fuse when listening for proper direction, preventing the fuse from looking symmetrical. But the direction of the lettering would not be consistent from fuse to fuse if one were hoping the direction of letters was the tipoff.

Got ya. I'm not sure what to make of it. All I can say is it went away after. 

I always try the fuse both ways.  

Sometimes better, sometimes not.