The '70s and '80s analog-recorded Concord Jazz albums could all be considered audiophile recordings. Notable is "The L.A. Four Scores," a live recording so clean I would have thought it was studio except for audience interaction. The clarity, dynamics and detail are well beyond what's usually expected in a live recording, and the stereo image is a realistic 3-D soundstage with excellent imaging.
Oh, and with Shelly Manne, Ray Brown, Laurinda Almeida, and Bud Shank, the music ain't too shabby either.
Oh, and with Shelly Manne, Ray Brown, Laurinda Almeida, and Bud Shank, the music ain't too shabby either.