The new Synergistic Research BLUE fuses ....


New SR BLUE fuse thread ...

I’ve replaced all 5 of the SR BLACK fuses in my system with the new SR BLUE fuses. Cold, out of the box, the BLUE fuses stomped the fully broken-in SR BLACKS in a big way. As good as the SR BLACK fuses were/are, especially in comparison with the SR RED fuses, SR has found another break-through in fuses.

1. Musicality ... The system is totally seamless at this point. Its as if there is no system in the room, only a wall to wall, front to back and floor to ceiling music presentation with true to life tonality from the various instruments.

2. Extension ... I’ve seemed to gain about an octave in low bass response. This has the effect of putting more meat on the bones of the instruments. Highs are very extended, breathing new life into my magic percussion recordings. Vibes, chimes, bells, and triangles positioned in the rear of the orchestra all have improved. I’ve experienced no roll-off of the highs what so ever with the new BLUE fuses. Just a more relaxed natural presentation.

3. Dynamics ... This is a huge improvement over the BLACK fuses. Piano and vibes fans ... this is fantastic.

I have a Japanese audiophile CD of Flamenco music ... the foot stomps on the stage, the hand clapping and the castanets are present like never before. Want to hear natural sounding castanets? Get the BLUE fuses.

4. Mid range ... Ha! Put on your favorite Ben Webster album ... and a pair of adult diapers. Play Chris Connor singing "All About Ronnie," its to die for.

Quick .... someone here HAS to buy this double album. Its a bargain at this price. Audiophile sound, excellent performance by the one and only Chris Connor. Yes, its mono ... but so what? Its so good you won’t miss the stereo effects. If you’re the lucky person who scores this album, please post your results here.

http://www.ebay.com/itm/ULTRASONIC-CLEAN-The-Finest-Of-CHRIS-CONNOR-Bethlehem-Jazz-1975-NM-UNPLAYED-...

Overall impressions:

Where the RED fuses took about 20 hours to sound their best, and the BLACK fuses took upwards of 200 hours of total break-in, the BLUE fuses sounded really good right out of the box ... and that’s without doing anything about proper directional positioning. Not that the BLUE fuses don’t need breaking in, they do. The improvement continues through week three. Its a gradual break-in thing where each listening session is better than the last.

Everything I described above continues to break new ground in my system as the fuses continue breaking in. Quite honestly, I find it difficult to tear myself away from the system in order to get things done. Its truly been transformed into a magical music machine. With the expenditure of $150.00 and a 30 day return policy there’s really nothing to lose. In my system, its like upgrading to a better pre amp, amp, CD player or phono stage. Highly recommended.

Kudos to Ted Denney and the entire staff at SR. Amazing stuff, guys. :-)

Frank

PS: If you try the SR BLUE fuses, please post your results here. Seems the naysayers, the Debbie Downers and Negative Nellie’s have hijacked the original RED fuse thread. A pox on their houses and their Pioneer receivers.

Frank



128x128oregonpapa
I now have 300+ hours on the 3 Blue fuses that replaced Blacks in my CD transport, DAC and amp (pre is passive). The improvement in sound quality, and increase in musical enjoyment, over the already excellent Blacks, is remarkable, and not at all subtle. Listening to my system, the experience is quite similar to that I have at live musical events (minus the visual, of course). Isn’t that what this hobby is (supposed to be) all about?

That these little fuses make this kind of difference is rather mind boggling. Would I like to know more about how they do it? Yes, of course. Fortunately for me, I am able to enjoy their benefits without this knowledge.
The SR fuses are simply better signal conductors than stock fuses. After all the improvements I have made to AC transmission, including the 240V/120V isolation transformer, OCC, 9-gauge power cords with 20-amp IEC receptacles into ARC mono blocks, Transparent cables with massive, gold plated terminals, not to mention the high-purity copper hook-up wiring in expensive components, you’re telling me the signal and the message modulated upon that signal has to pass through this silly little filament in a glass tube? This tiny hair is what all that pure AC power has to go through upon entering my amps and again, just as the message hits the midrange and tweeter in my Maggies? Not being an EE, I cannot over think this concept, but it does appear likely that the high performance fuse just might reduce the distortion and noise created through the stock fuse that then competes with the signal modulated upon the energy pathway. The better materials in the custom fuse allows more of the information, in a much clearer and dynamic presentation, to be perceived for your enjoyment. This  ain’t rocket surgery, folks.
Makes perfect sense to me, but I'm sure someone will come along shortly to tell us how it can't possibly be so 🙄
Yes tommylion and jayfreeman don't trust your ears, you don't know how to use them anyway. You must trust science, you must truuusstt science, you muusstt trust science. Science says you are geting sleepy, you are gettin slepy. Sorry science hasn't quit figured out how to spell yet.
no reason not to do some valid listening tests if the cost in $$ and time is nil

have someone switch them when you aren't in the room & see if you can tell any difference - do it 20 times and post how many you get right

or just change from red to blue based on polling data or electron results

or.. do something that is known to be important - speaker adjustments, room tmts. and maybe ball bearings under some components (DAC), or star-quad DC cables to the DAC, LPS for the DAC, power isolation transformers

lots of things to keep you busy that are grounded in science