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Thiel 3.7 vs Wilson Sasha

I auditioned Thiel 3.7 and Wilson Sasha recently. The upstream for 3.7 is Bryston BCD-1+BP 26+7B SST2+Cardas Neutral Reference cables, while the upstream for Sasha is Ayre CX-7eMP+K5+V5+Tranparent Reference cables. Both speakers were driven very well. Let me compare them in each category below.
1. Treble: 3.7 is more reavling, 3.7 win.
2. Mid range: 3.7 is more reavling and transparent, while Sahsa is fuller, it all depends on your preference, a tie.
3. Bass: 3.7 is more reavling and transparent, while Sasha has an obvious deeper bass extension, and more weight. Sasha win.
4. Coherency: Both have great coherency. But from my point of view, 3.7 has an edge.
5. Color: 3.7 is very neutral and transparent. Sasha is neutral too, but it is a little bit towards warmth side.
6. Sound stage: both can produce a huge sound stage, a tie.
7. Imaging: 3.7's imaging is pin point sharp. Sasha has great imaging ability too. 3.7 win.
Overall, both are outstanding speakers. Personally, I prefer Thiel 3.7's sound signature. IMO, regarding price, Thiel 3.7 might be one of the best buy in High-End world.
actuary616
james63
534 posts
 
Bvdiman,

Thanks a lot for the detialed responce, it is exactly what I was looking for. Sounds like the Magico are pretty nice too. I can see why you thought the 3.7 were not organic.

I find them very music dependant and hit or miss based on music choise. Not the speakers fault but actually a sign of transparency.

In all the 3.7 are the only speaker of the three in my price range but I would try a different brand if I could fine a good deal on the used market. The only real turn off of Magicos for me is the lack of dispersion (I have not heard them) in the highs. I like a wide sweet spot because my wife joins me from time to time. I also think the sound stage is better with less toe in and narrow dispersion means they will need some toe in.

Thanks again and enjoy the music.
bvdiman
491 posts
 
Actuary616,

Follow your heart.. As I have mentioned, they are all potentially good speakers, our observations were nit picking weaknesses of each upon a friend's buying decision. What we heard might also be a reflection of the dealer's taste. I suspect that that particular dealer at Thiel was dialing in for max transparency and resolution that he neglected/willingly sacrificed some of the warmth and musicality aspect of things. Which I thought could probably be mitigated with as simple as some cable and cord changes then. I did not ask what was used, but he was a dealer for Cardas and Wirewold. Anyway, congrates on your purchase and happy listening!
actuary616 OP
38 posts
 
Bvdiman,

I will try to audition Magico if possible. Thank you for explanation.
lrsky
1,118 posts
 
Having heard the Magicos at a dealership--never optimal, I would reiterate that they are not my cup of tea. The $18K Magicos (forgot model #'s), lacked detail in the upper midrange--enough to be notable and bothersome to me. The larger ones at $27K were much better, as one would expect given the price differential, but not enough to sway me into the Magico camp. The A1 Sound Labs are much more transparent, coherent, and uniformly musical.
Making a multi thousand dollar purchase in this arena gives us many choices--the Magicos would not be one of those choices. Again, IMHO.

Larry
bvdiman
491 posts
 
Funny how Sound Lab was mentioned. Two of our friends who tagged along during the auditions happen to be stat lovers/owners (so was I, or at least until a few years back). One of them using Sound Lab, the other CLX +subs, I tend to prefer the latter set-up. They listen primarily to big band, classical and jazz, whilst I listen to almost all genres ranging from pop, jazz, disco, classic, r&b to country--you name it.

Although SLs are 'probably' as good as claimed in certain areas, but for some of my music, they just didn't cut it. Sure, bass was there aplenty, but I found their drives and dynamic socks/punch to be comparatively lacking. Try playing loud the likes of Sergio Mendez, Sade, UB40, Fourplay, or hard pops ala late MJ, Madonna, or even some fusion artists' (Klugh, Benson, Gruisin, Benoit, Ritenour, Carlton) you'll get what I mean.

Nothing's perfect, thus trade offs are almost always inevitable. And yes, musical preferences too play a big role on one's choice. But in the here and now, so as to be more relevant, it's simply--Thiel? or Wilson?.. I guess.
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