A Renaissance 3.5 would require all new drivers. The extant woofers are bulletproof and decent, but lack the sophistication of later designs. They are a 1985 solution. The replacement midrange needs to be a full range driver, which is findable, we just haven't yet succeeded - same with the tweeter. The XO upgrades I have been developing this past year all apply to the 3.5 to up the performance league dramatically.
The EQ could also be executed better. It is all discrete, and therefore upgradable, but it is likely that a talented circuit designer could do the job better today. Now, IF the EQ could be a requirement rather than an option, then other possibilities emerge. The midrange / tweeter could run on one channel with no boost to its low end. The equalized woofer would run on the other channel for good power balance. The crossovers could be incorporated into the EQ before the power amplification stage. It is possible that the woofer, or all the drivers could run crossoverless for direct, lossless feed, or with driver-specific and tweakable elements installed in an outboard XO near the cabinet. Such an active-crossover analog solution would squarely fit Jim's approach and sensibilities, and indeed one of the original design pilots which was deemed unfeasible in the company's fledgling state.
As an aside from history, I really like the 3.5 cabinet which shares technologies with the CS2 and 3 but obsoleted by the 2.2 and onward. Those early cabinets used MDF only for the baffle for its sculptability. The walls are 1-1/8" industrial particle board laminated both sides - for about 1.5x the stiffness of later 1" MDF cabinets. For production management reasons we landed on 1" MDF as our sole cabinet material. But the particle board is better.
Obviously, I am personally more excited by this potential upgrade than by pairing the non-eq 3.5 with a sub. But it would take lots of doing by someone(s) with youthful talent and vigor to pull it off. BTW: the CS3 cabinet is functionally identical to the 3.5; the combined 3 and 3.5 models sold about 7000 pair, and the 03, 03a adds another 2000 pair build of 20mm FinPly (better than BalticBirch or ParticleBoard). Hmmm.
The EQ could also be executed better. It is all discrete, and therefore upgradable, but it is likely that a talented circuit designer could do the job better today. Now, IF the EQ could be a requirement rather than an option, then other possibilities emerge. The midrange / tweeter could run on one channel with no boost to its low end. The equalized woofer would run on the other channel for good power balance. The crossovers could be incorporated into the EQ before the power amplification stage. It is possible that the woofer, or all the drivers could run crossoverless for direct, lossless feed, or with driver-specific and tweakable elements installed in an outboard XO near the cabinet. Such an active-crossover analog solution would squarely fit Jim's approach and sensibilities, and indeed one of the original design pilots which was deemed unfeasible in the company's fledgling state.
As an aside from history, I really like the 3.5 cabinet which shares technologies with the CS2 and 3 but obsoleted by the 2.2 and onward. Those early cabinets used MDF only for the baffle for its sculptability. The walls are 1-1/8" industrial particle board laminated both sides - for about 1.5x the stiffness of later 1" MDF cabinets. For production management reasons we landed on 1" MDF as our sole cabinet material. But the particle board is better.
Obviously, I am personally more excited by this potential upgrade than by pairing the non-eq 3.5 with a sub. But it would take lots of doing by someone(s) with youthful talent and vigor to pull it off. BTW: the CS3 cabinet is functionally identical to the 3.5; the combined 3 and 3.5 models sold about 7000 pair, and the 03, 03a adds another 2000 pair build of 20mm FinPly (better than BalticBirch or ParticleBoard). Hmmm.