Thiel Owners


Guys-

I just scored a sweet pair of CS 2.4SE loudspeakers. Anyone else currently or previously owned this model?
Owners of the CS 2.4 or CS 2.7 are free to chime in as well. Thiel are excellent w/ both tubed or solid-state gear!

Keep me posted & Happy Listening!
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tonywinga

Thank You for sharing your Thiel vs. Wilson story. Our tastes are similar in Music reproduction. We strive for that last Nth of information. I am striving for hearing the skin of a Bass drum or finish of a Brass instrument as well. No doubt that top-tier gear will retrieve the inner detail must of us crave. Reference cabling is the last link of any Audio chain that binds the Aural capabilities.
Good to read that all of your efforts are paying off,  sonically.

Happy Listening!
2nd Note;

as above, it does indeed take a super-loudspeaker such as a Vandersteen Model 7 Series or Wilson Alexia (or higher)  to give any Thiel Audio a proper foot race.

There is something to be said for Jim's historic designs. And our beloved loudspeakers. Enjoy the Music.

Happy Listening!
tonywinga

I concur about Stanley Clarke discs being excellent tools for system evaluation. His CD/SACD titles are well-produced, well- recorded.
Have fun!


Happy Listening!
tonywinga, 

I understand now what you meant by bass improvement. Most people just mean more or harder impact and subs will do both for you. 

I am listening to the Stanley Clarke “East River Drive” album now listening for what you describe (new music to me thanks!). It is very subtle and I wonder if that “skin” sound is actually a little higher up in frequency as a secondary sound. 


I turned off my subs and high-passed the mains at 135hz and I feel like I could still hear it. Broke out the digital EQ and it might be in the 200-500k range. Hard to say and the detail is very low level. 


I switched over to a pair of Grado PS500e which I often hear that type of stuff on. I could hear it on the headphones but it did not stand out any more. I expected it too on headphones as they are more detailed in the bass. 


I think this type of detail retrieval is getting into super speaker territory and will cost a lot of money lol. 


Heavy room treatments (I see you have treated a bit already) with wide band absorption on the side walls might help pull that kind of stuff out more. Something like a high number of GIK 244 panels or even something thicker as reflection panels to knock down the bass reverb. 
Some music to try. Not really what I like to listen to musically but it has amazing detail and texture. 

Dominique Fils-Aime’ “Nameless” album. This album is demo worth and has the same type of low level details and texture in the drums/bass. I think you will find the audiophile aspects of it pretty good…