P 05129: Cassette tape was doomed when it started: not enough tape to record on,
heat if using in a car, and the 1.7 ips speed. I have had reel to reel
decks and 3 3/4 speeds sounded terrible too, 7.5 ips was listenable but
the magic occurred at 15ips.
I thought the cassette format was fine for my purposes - extreme portability. I had a Nakamichi RX202 auto-reversing deck and an LX7 one-way deck after my original 1000 eventually failed. I used the RX202 to record a weekly 2-hour FM radio program with cool music that broadcast after I went to bed. I used TDK 120 minute premium ferric tape - they worked fine despite warnings. From those tapes I selected my favorites, bought their CD's and made mixes on my pro-level CDR/RW recorder and played on my home system with the aid of an early, inexpensive MSB upsampling DAC and for playing in my car. I gave away the RX202 when I moved to an area that had no decent FM but still make CD mixes on the pro-recorder. I can ill-afford today's reel-to-reel decks let alone deal with the unwieldy process of playing different music.
I thought the cassette format was fine for my purposes - extreme portability. I had a Nakamichi RX202 auto-reversing deck and an LX7 one-way deck after my original 1000 eventually failed. I used the RX202 to record a weekly 2-hour FM radio program with cool music that broadcast after I went to bed. I used TDK 120 minute premium ferric tape - they worked fine despite warnings. From those tapes I selected my favorites, bought their CD's and made mixes on my pro-level CDR/RW recorder and played on my home system with the aid of an early, inexpensive MSB upsampling DAC and for playing in my car. I gave away the RX202 when I moved to an area that had no decent FM but still make CD mixes on the pro-recorder. I can ill-afford today's reel-to-reel decks let alone deal with the unwieldy process of playing different music.