Time to buy a class D amp?



Will some new class D amplifiers outperforming the current ones appear soon

(the newest ones i know were released a  few years ago)?

Class D amps attract me as I consider them the most ecological ones with obvious non-auditionable benefits.

I have no doubts that they posses the maximum ratio performance/sound quality among the amplifiers of all classes.

At the same time, the sound quality the class D amplifiers that I have auditioned produce, although is quite good,

but not yet ideal (for my taste).


I use PS Audio Stellar S300 amp with PS audio Gain Cell pre/DAC with Thiel CS 3.6 speakers in one of my systems.

The sound is ok (deep bass, clear soundstage) but not perfect (a bit bright and somehow dry, lacking warmness which might be more or less ok for rock but not for jazz music).

I wonder if there are softer sounding class D amps with the same or better details and resolution. Considering two reasonable (as to the budget) choices for test, Red Dragon S500 and Digital Audio Company's

Cherry  2 (or Maraschino monoblocks), did anybody compare these two?



128x128niodari
Hey Ziggy,

     Agreed.  My 1st class D amp I bought about 6 years ago, a Class D Audio SDS-440-CS, came with a 28 day in-home free trial.  It sounded very good straight out of the box but it kept improving in sound quality well past the trial period.  I think its important that prospective class D amp purchasers are aware of this 'break-in period' which may last up to several months.  
     I'm still not even sure if the class D amps require a break-in period or the listener/buyer actually needs an adjustment period to get use to the sound of the amp.  From my perspective, I noticed immediately that the amp was a big improvement over the good quality class AB amps I had previously used for decades (Adcom, Aragon and McCormack) that was pleasantly surprising in its quality but I also sensed it was a fundamentally different listening experience that I thoroughly enjoyed.
     It was initially hard to describe what specifically the sound qualities were that gave me a sense of being fundamentally different but the more I listened to the new class D amp, the more it became apparent exactly what these qualities were.  The major sound differences I identified were an extremely low noise floor that gave the impression the music was emerging from an inky black and dead-quiet background, improved bass impact and dynamics, a more neutral overall presentation that also was more detailed from top to bottom and a smoothness to the midrange and treble response without brightness or harshness and the ability to portray a solid 3D soundstage that's at least the equal of my previous class AB amps. 

     All of the above just further supports our advice for auditioning any amp one's considering in their home and system prior to buying when possible.  I just wanted to let prospective class D amp buyers about what to expect.


Later,
Tim
Post removed 
Hi,

This is in response to the original post of Niodari.  I have the same setup but for power amplification I use M700 monoblocs.  For my digital front I have the DirectStream with Bridge II, and for my analogue front I use two turntables with PS Audio's Stellar Phono Preamp. I enjoy listening to Jazz and Classical.

Before considering a new amp, may I suggest looking at interconnects, and speaker cables as well as the incoming power line for interference from any transformers / adapters that are connected in parallel. I would start with the power conditioner and the devices that share it with the pre - power combo.  

One of the options you may want to test-drive is Van Den Hul The Second in XLR format. Linear Carbon has unique audio characteristics. Once you have exhausted the possibility of improvement with interconnects, you may wish to test-drive your speaker cables. There reasonably priced very good cables from AudioQuest, Tellurium Q, QED, Black Rhodium, and Chord Co.