My experience is that its very difficult to come up with 6DJ8/6922 tubes that do not exhibit some sort of microphonic signature, much more so than tubes that are actually designed for audio, like a 12AT7, 6SN7 or the like. It seems that 6DJ8s are far more likely to offer a signature, the louder you play the system the more you hear it.
We never considered them for our phono circuitry after a variety of experiences we had with them in the 80's, the SP-10 being among them. We did use them in our amps up until about 1990; finding tubes that didn't ring was challenging enough that we moved away from the tube after that.
We never considered them for our phono circuitry after a variety of experiences we had with them in the 80's, the SP-10 being among them. We did use them in our amps up until about 1990; finding tubes that didn't ring was challenging enough that we moved away from the tube after that.