Tube or SS for Sonus Faber Amati Homage

Jtnn, does this mean you would like a resume of mine also along with a personal biography and maybe a complete color portrait? :) Please, lets stay on topic and instead of expending energy trying to discredit me why don't we just offer some advice for this person looking for a nice amp to use with his Amati Homage.

This is an observation of mine based soley upon the comments of yours above, if I am wrong then I am mistaken and I appologize. It just seems like an aggressive approach (ie. "This guy just bothers me so let me see if I can do something to instigate an uprise.") to what should be a fun topic to explore.

If you want some background information about me and my knowledge of various audio equipment then just e-mail or call me and lets talk.

Chris

One last thing, the answer to your question is no. Now, if the thread would have stated please only owners of Amati provide (feedback or something like that) then I would not have posted anything.

These threads should be educational and light hearted in my opinion, if someone does not agree with anothers thread then thats fine. We are all entitled to our opinions, right? Even if it is speculation - still an opinion and just that, an exercise of free speach if you will.

Here's the whole list of speakers I have personally heard with the David Berning ZH-270:

Sound Lab Pristine II
Harbeth HL7ES
Jean Marie Reynaud Twinn MK II
Sonus Faber Grand Piano
Sonus Faber Electra Amator
Magnepan 1.6QR
Magnepan 3.6QR
Dunlavy SC4A
Quad ESL 63
Acoustat Spectra 2200
JM Lab Electra 926
JM Lab Electra 906
JM Lab Cobalt 802
Paradigm Reference Studio 40 v.2
Revel Ultima Studio

I think thats it, I'll be sure to repost if I think of any I may have overlooked.

Also Preference Audio Baby Bear - made in Canada.

Davidlin, this may help - I have had SF Amatis for nearly three years and drive them with a Lamm L2 preamp and a pair of Lamm ML2's which for me is the most enjoyable combination I could find.I also used them with Classe solid state - CA400 and DR8 and the SF "Musica".I use a Sonic Frontiers Line 3 and a pair of Cary 300B Signatures in my second system and had never actually tried the combination with the Amatis, so a few weeks ago I did and was staggered at how great the results were. The Cary's drove the Amati's with ease and sounded superb.Provided your listening room is not exceptionally large (mine isn't) it would be worthwhile to try the Cary's with your Line 3 SE.

Davidlin,

As a long-time owner of the Amati's, I'd recommend tubes -- I'd also add that you need to give a serious listen/consideration to the Tenors (more below).

IMO, the Amatis sound wonderful with any quality amp, but really sing and make magic with tubes. For 9 months, I used Spectral Pre and PowerAmps with a tubed CJ phono stage, SME 10, and MIT Oracle cabling all around. Tight, accurate, detailed. A trifle (and we are talking subtle items here) hard and aggresive with any CD player, even tubed. Reference class, nonetheless.

Over the last month, I've since gone to a pair of the Tenor 75wi, with Jena Labs cabling. A whole different league altogether. Even with a lowly Arcam CD23T. Pure magic. A sense of ease, musicality, and *purity* of musical expression that betters in every aspect some of the other tube amps I've heard with these speakers. Vinyl on the SME is even better with the Tenors, which was mighty fine with the Spectral.

Room is a 1300 sq foot loft, with 14 ft cielings, so that system has to pressurize the entire space.

One thing to keep in mind with this tube/OTL/Amati discussion is also the gain/output drive of your source gear. For example, with 2V output from the Arcam, no problems at very loud listening levels on complex musical passages (95db+). The Tenors begin to lose a very tiny amount at the upper treble (where the Amati drops to 2ohm) with the same music, same loudness, from the CJ (only 54db gain). I will be changing to another phono preamp with more gain to bring the Tenors into a happier operating window.

The important thing, is that my listening room is HUGE (the whole loft), and the Tenors are making fabulous music as I type.

Mileage varies, but I decided that I couldn't live without the sound of the Tenors, and have since overhauled my entire system, except for the Amati's and my Grand Prix Audio racks. Heck, the level of the Tenors even encouraged me to upgrade from the SME 10 to the 20.2.

Bottom-line, the Amati+Tenor are magic. In a "normal room", IMO, it would be a no brainer.

Best wishes and congratulations on your purchase of the Amati's.

I hope yours provide as many hours and days of visual and auditory pleasure as mine have.

Tom