Turntable got absolutely crushed by CD

Edgewear, that's your diplomatic way of putting it, but there are clearly two distinct camps here; "sound lovers" and music lovers.

Live music can sound terrible as it usually does when it is played loud in small acoustic spaces, too amplified or in too live or dead rooms.  The acoustics where music is played is extremely important to the quality of the sound.  Recordings are often superior to live performances because they are engineered to capture the sound better.  As a part time recorder of an orchestra, chamber group and choirs and with 78s, LPs, CDs and RR tape, I hear all types of sounds from all types of venues.  I consider them all valid for music enjoyment.  If not, I don't listen.  I've heard great performances in terrible acoustics and on poor sounding recordings.  But when I hear a mediocre performance in great acoustics, I want to run away but with recordings, I just toss them.  

Dear @edgewear: AHEE: Audio High End Establishment.

Now, normally our room/audio systems are " optimized " to listen the analog alternative not for the digital one.

So when we want to listen seriously to the digital alternative we must to make changes in our room/system because its overall performance is way different.

We can think that in an analog rig digital will performs marvelous but other important issue is that when we listen to digital we WANT that performs with the same analog characteristics. No way about both alternatives are way way different. Digital is a lot more demanding that analog.

When your room/system is optimased for digital then analog always will performs better than ever. ! ! ! 


Regards and enjoy the MUSIC NOT DISTORTIONS,
R.

@rauliruegas 
Thanks for explaining AHEE. My guess wasn't too far off, was it?

Do I understand you correctly when you imply that systems optimized for digital will also make analog sound better? Are you saying this because a digital source is supposedly more neutral than analog? I'm not so sure about this. Digital audio devices have to work with a limited number of processor options, so to a certain extend the sonic result has already been decided for you. Perhaps this is why most cd players have the same sonic 'imprint', but this doesn't necessarily mean it's 'neutral'.

With analog there are many more aspects that can be influenced by the listener. I assume we're all familiar with the unexpected magical 'click' when suddenly you hit on a perfect arm/cartridge synergy. For me this is one of the reasons analog audio is so much more fun. There's more 'editorial space' to influence the sonic characteristics  to suit your musical tastes.

@fleschler 
I agree that live music often sounds terrible due to bad acoustics, too high SPL's or any number of reasons. This is exactly why I implied there's no solid frame of reference. The 'gestalt' of live music is instantly recognizable for better or worse. This could be called the 'Absolute Sound', but that doesn't necessarily mean it always sounds absolutely great. 

Dear @edgewear: Your guess was rigth-on.

If for " neutral " you mean: lower noise levels, lower overall signal degradation, lower overall distortions, way better bass range management, etc, etc, the it’s because is more " neutral ".

Yes, we have more " fun " with analog but that’s not of what I’m talking about as it’s not:
"" the sonic characteristics to suit your musical tastes. """

Each one of us " musical tastes " are not directly in relationship with the room/system target: truer to the recording.
Where when the performance of the room/system is " truer to the recording " always will suit our musical tastes.

Regards and enjoy the MUSIC NOT DISTORTIONS,
R.