U.S. Symphony Orchestras


Here's a link to a Wikipedia list of US symphony orchestras. What immediately struck me was how large a list it is. For instance, from my adobe in southeast Michigan I have access to four orchestras, including a major one, the Detroit SO. This may sound heretical, but are there too many symphonies? The poor economic health of many of the orchestras would support the over abundance argument. It's possible that a severe contraction in the number of orchestra could occur.

There was a "Gramaphone" article a few years back about the top twenty orchestras in the world. US orchestras showed very strong with seven institutions named. Anybody have any ideas about how to keep the best of these orchestras solvent and still performing?
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Just something to show the 'type' of thing I was talking about.

The Nutcracker shown back in DEC 2011 on PBS. It was sort of like a dance contest, a different ballet company every night. All performing the Nutcracker. I LOVED it. I have never had the slightest interest in Ballet, other than the music, but I was STUNNED at how much I enjoyed it. Two people explaining between acts and after the final, made the entire night. This is another example of how to get the public interested. Put it on TV with 'hosts' (that are well known to the public at large) to explain as the concert is going on. Between movements. BTW, a few years ago, the BOLSHOI even found the time and interest to come to my neck of woods. I didn't attend. After the PBS thingy, I can't wait for another chance. Still waiting for the top American stuff to show up.
MartyK1: I agree with you. I think that public support of the arts is also cyclical - and not just related to the vagarities of the economy. Right now we are in an anti-intellectual phase.

Slipknot1: You also make great points. (1) There is a significant difference between the US and Europe regarding governmental support of the arts; there seems to be little public sentiment for public government support of orchestras in the US - at least now. (2) A Board of Directors of any organization - not just an orchestra - is supposed work for the organization in return for the prestige of the board seat. This involves raising money, being an ambassador for the organization, etc. Too often, board seats become an entitlement.

Rok2id: Your comment reminded me of Leonard Bernstein's Young Peoples Concerts. He made classical music come alive - even just using the medium of the small black and white televisions available at the time. I suspect that the impact of that series lasted a long time. At his best, Leonard Slatkin can sometimes display a hint of Bernstein's ability to communicate with an audience.
"Symphony in C", previously known as the "Haddonfield Symphony" in New Jersey is missing.
This is a great discussion. I am traveling with my family to spend the weekend in the city of my nearest symphony (one of the tiny ones on the web link; half the state away) and take in two performances. I would love to hold season tickets, but it is challenging with young children and distance. We also attend many of the summer festivals in the Rockies, which is a great place to bring children because it is more relaxed and you can attend the less expensive rehearsals and chamber performances. I frequently observe that we are the only attendees with children. And yes, they pay attention to the performance, or quietly color during inevitable attention lapses. Where will the future be without fascinating the young?