Dear Nandric, it was a really sad and dramatic end for Klaus Renner. And yes - since DAS OHR was literally his "baby", there was no way it outlasted it's father and founder. It was one of the very few magazines ever totally independent from advertising and self-financed.
I started with high-end in the late 1970ies when I was 16.
My first speakers were K + H studio broadcast monitor speakers (type OM I think ) with built-in V69a Telefunken tube-amplifiers bought used from Bavarian broadcast service in Munich.
My first encounter with serious turntables were Micro Seiki RX-5000, Mitch Cotter B and Platine Verdier serial # 1.
And my first "real" tonearm ...... FR-64s...;-) ..... a good friend since 1980.
Nice memories of days gone by.
Cheers,
D.
I started with high-end in the late 1970ies when I was 16.
My first speakers were K + H studio broadcast monitor speakers (type OM I think ) with built-in V69a Telefunken tube-amplifiers bought used from Bavarian broadcast service in Munich.
My first encounter with serious turntables were Micro Seiki RX-5000, Mitch Cotter B and Platine Verdier serial # 1.
And my first "real" tonearm ...... FR-64s...;-) ..... a good friend since 1980.
Nice memories of days gone by.
Cheers,
D.