Albert (my name is George, BTW) there is a real problem with vinyl. In another discussion thread on vinyl versus digital, there is a lot of REAL information from recording engineers regarding the inherent limitations of vinyl (mostly) and why it sounds better to some, worse to others. Basically, if I recall correctly, there seemed to be a consensus of opinion that there is a very vocal minority out there in the real world that prefer analog. (You might find the same type of minority out there that prefer tube over transistor). I don't know how good your hearing is, but I was blessed with perfect pitch and great hearing. I can hear things that others can't who are sitting right beside me. Now, this begs the question - do I hear these things because of genetically superior hearing, does my brain just process the information better, or was I actively listening to the music and the other person passively listening? As a follow-up question: is this gender based? I don't believe that it is gender based at all and enough real science has gone into the quest for that answer. The first part of our hearing to USUALLY suffer degredation is reception of the high frequency pitches. If you've ever operated an air gun, etc. without ear protection you might notice a ringing in your ears afterwards. Not good. Repetition of the same stress to your hearing over time will result in your loss of the ability to pick up certain high frequencies. The one thing that vinyl does is truncate the high frequencies because of the way they were rolled off or limited in the recording process. I've picked this up since the first time I listened to vinyl, more years ago than I care to admit. I personally like the higher frequencies to shine through on my music (this is why I prefer digital and I have done enough A/B testing on my own equipment to validate my opinion). But I also want a balance throughout my hearing range and hopefully some impact caused by subsonic frequency air displacement. So vinyl does not recreate the high frequencies that I look for, but it does the rest fairly well and it still offers constant streaming information to my brain. But it does not offer the wide dynamic range necessary to recreate a true "lifelike" representation or recreation of the musical event. Neither does digital - yet. It is very close. Everybody's hearing is different. Digital can reproduce those high frequencies that I am listening for while vinyl cannot. I seriously suspect that this is why some people get what is referred to as "CD fatigue." The higher frequencies are reproduced (above what is reproduced by vinyl) causing an adverse impact on the most sensitive frequency reception range of hearing. Suppose you have the best audio gear that money can buy - either analog or digital. I think analog offers the best state of the art at this point in time. Why? Analog is in its old age and is a very mature technology. Digital is in its infancy. As algorithms mature and newer hardware generations turn over, digital will eventually reach an even keel with analog in two to three years at the high end of equipment. But very quickly digital will surpass the vinyl recreation of what your brain perceives as a constant or unimpeded and fluid stream of information that we call music. Then we will have the trickle down effect into the mainstream or affordable digital equipment lines or models. As we learn more about digital reproduction of music and upsampling or oversampling (and how the brain processes these digital bit streams), the one thing that vinyl can NOT do is offer the incredible dynamic transients that digital can. And this will eventually make digital more "lifelike" or offer a more realistic recreation of a live musical event. But this is a double edged sword. Your amps and preamps may not be able to keep pace with the dynamics that the digital signal will bring forth. Speed will be the essence. In the end, right now, both methods of musical recreation can offer satisfaction to the listener. Depends on how your brain processes the input. The key is to find balance between the individual components that make up your system so that it is optimized for your listening preference. Right now vinyl is ahead by one run in the bottom of the ninth but digital's clean-up hitter is coming to the plate with nobody out and the bases loaded.
Upsampling DACS: Take the Pepsi Challenge
HAs anyone used 2 of the following 3 relatively inexpensive upsampling DACs: Perpetual technologies, Bel Canto, MSB Link 3 with upsampling upgrade?? I am trying to sort out the details of the new technologies. The Perp Tech can "interpolate", while the others do not. I am under the impression that the "24 bit" part of this new technology has to do with s/n ratios aroung 140 db, which is great, but a little useless considering the other equipment in the system. The sampling freq is the part that has me all aflutter, because it seems to be getting closer to analog quality "infinite sampling" if you will... What do you think? Has anyone compared these dacs?? Thanks, gang.
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- 116 posts total
- 116 posts total