Fmpnd: I might agree with concerning the Tenors
because of the 6db headroom, which translates
into 300 watts of dynamic power. But what is the sensitivity of your Kharmas, lets say around 88 db;
and that is at 3 feet, say at 8 feet that translates
to around 85 db, so at 105 db continous you are at 100 watts continous, and climaxes at 111db puts
that at 400 watts dynamic. Now at 95 db you would
I guess be ok. But still I like the reserves of
higher output. I do not know how well the Tenors
compare to a output transformer tube amp like my
ARC D115, which gracefully clips driving my Acoustats.
But above 5% distortion it really starts to become noticeable. Transistors amps, obviously clip into
distortion much quicker and much more noticeably.
Maybe that is why I prefer much higher powers for my transistor amps. I can easily clip the Spectral DMA-200
on my Avalons and my Acoustats and it has 3 db headroom.
On the Vandy 5s, Robert Harley, really likes them. He still believes that the VT200 gives it more juice/jump
than the VT100. I once had a D250 Servo on the
Acoustats sometime in the early 90s, I remember how
that raw power really made the sound much richer,
much cleaner, more transparent.
because of the 6db headroom, which translates
into 300 watts of dynamic power. But what is the sensitivity of your Kharmas, lets say around 88 db;
and that is at 3 feet, say at 8 feet that translates
to around 85 db, so at 105 db continous you are at 100 watts continous, and climaxes at 111db puts
that at 400 watts dynamic. Now at 95 db you would
I guess be ok. But still I like the reserves of
higher output. I do not know how well the Tenors
compare to a output transformer tube amp like my
ARC D115, which gracefully clips driving my Acoustats.
But above 5% distortion it really starts to become noticeable. Transistors amps, obviously clip into
distortion much quicker and much more noticeably.
Maybe that is why I prefer much higher powers for my transistor amps. I can easily clip the Spectral DMA-200
on my Avalons and my Acoustats and it has 3 db headroom.
On the Vandy 5s, Robert Harley, really likes them. He still believes that the VT200 gives it more juice/jump
than the VT100. I once had a D250 Servo on the
Acoustats sometime in the early 90s, I remember how
that raw power really made the sound much richer,
much cleaner, more transparent.