Fleib, My gross impression of the Audiomeca that I heard on many separate occasions was that it suffered from what I now think of as an ill of belt-drive, maybe a stretchy belt or maybe its bouncy suspension. Some in those days used a compliant belt and mounted the motor on the stationary chassis whilst the platter was suspended, a great set up for speed variation as the platter suspension responded to the environment. However, this may be unfair criticism, since I do not know how the motor was mounted in the Audiomeca. Anyway, the sound was "woolly", for want of a better word.
Dover, My Mk3 is mounted in a ~100-lb slate and cherry wood plinth, and I have implemented a massive bearing damper much like that used by Albert Porter in his Panzerholz plinths. Of course, the L07D plinth I've left alone, apart from updates to the feet.
Dover, My Mk3 is mounted in a ~100-lb slate and cherry wood plinth, and I have implemented a massive bearing damper much like that used by Albert Porter in his Panzerholz plinths. Of course, the L07D plinth I've left alone, apart from updates to the feet.