Vinyl composition effect on noise floor


So here's a curious thing I noticed today. Red vinyl is noisier than black! Ok, that's not true exactly, but check this out. I have a record that's half red, half black. I noticed after cueing up the record but before the music started that there was a distinct increase in the level of background noise when the stylus traveled into and through the red half, then a decrease when it went back to the black.

So, what would cause this? Because it's the same record, everything about the two halves must be the same... same master, same stamper, same pressing equipment, same packaging, same cleaning before I played it, same stylus in the groove, etc. Everything, that is, except the composition of the vinyl itself. Now, I know full well that color has nothing to do with it; I've got several very quiet colored discs and several noisy black ones. But I hadn't considered before that the makeup of the raw vinyl itself could be this important to a quiet background. Makes me want to get more info from pressing plants about how they source their vinyl. Thoughts?

Here's a video of the record spinning so you can see for yourself. Please excuse the poor quality, and turn up your speakers. http://vimeo.com/24946684
scissorfighter
Mofi, my LR record is real and can be played. It really doesn't sound all that bad. It's definitely not a picture album. BTW, the name of the album is Living in the USA, and as I found out after reading a Wikipedia write up on LR, the LP sold pretty well in its day.
In the black vinyl is more soot. This softens the vinyl and reduces noise in general. Promo-Copies for example have much more soot inside than normal pressings.
My guess is that the surface noise could be due to the level of impurities that were in the color concentrate that was added to the vinyl.
Interesting thread. The quality of the vinyl and its composition would be my guess.

I have about 10 colored lps. The ones that are a solid color in my experience are generaly noisier. However I have 4 that are colored yet see through and they are very quiet and certainly more quiet than the original black versions. 3 of them are Japanese pressings so that maybe part of it as they were known for using better virgin vinyl.
I also have a pressing of Good Bye Yellow Brickroad that is a first pressing and a tri fold cover, pressed in England on the Dick James Music label (DJM) and distributed by pye records that at a glance appears black. When cleaning it and holding it up to the light it is actually deep purplish and quite see through. Best sounding copy I have had or heard.
For the most part I have to agree that they usually are noisier on colored vinyl. Anyone else notice a differance between the solid and translucent colored vinyl?

Cheers
I have a Dark Side Of The Moon from the Harvest label on white vinyl. It is the worst sounding record I own. Nuff said.