VPI Classic and ZYX 4D

Just a little updat.

I have re-set the eight down to 2gr and lower the antiskate so just enough to get the 12dB's one thus the 14dB is not distorting.

Sound is ver clean dynamic and crisp.
Harmonics are comning through.
The funny thing is that I hear less distortion that when I had it set up for the 14dB's one.
I will hopefully do more listening in the next days.

But anyways it is true that ZYX works properly at 2gr.

If people are still reading me, I just want to ask Hfisher:

have you ran the lateral and vertical resonance test?
Side 2 track 2 and 3.
If not, please run it and tell me what your results are.
They both should be around 10Hz.

I have ran the 2 tests and I found out that without any extra weight they are both on the 16Hz which is not quite right.
I guess I will have to look into the stanless steel armtube.

Let me know.

This thread has gone off the rails...

1. As Myles Astor pointed out, fine tuning a cartridge when it has only 20-25 hours on it is a waste of time. Mark was wrong that all ZYX's need 100's of hours to break in (the UNIverse needs only 50 or less to behave normally), but 25 is certainly not enough. Stop fussing and listen to music for 100 hours or so.

2. Stephanoo and some others on this thread are MIS-USING the four anti-bias tracks on the HFN&RR test record. These tracks are not "tests" that must be "passed". If you set a cartridge to "pass" a higher db track than it wants to, you will end up with excessive VTF, excessive anti-skate or both.

This is a common misunderstanding among newbies, because the instructions with that record are poorly written.

These tracks were DESIGNED to make your cartridge mistrack. The only reason there are four tracks of differing amplitudes is that different cartridges track differently.

The idea is to pick the ONE track that BARELY causes YOUR cartridge to mistrack under normal VTF. Then adjust anti-skating until the mistracking is equal in both channels. DO NOT try to eliminate the mistracking and especially DO NOT try to "pass" higher amplitude tracks. That is a mis-use of the record.

Frankly, I find those tracks and the whole HFN&RR record worthless. I've set up 50 cartridges in the last 5 years, on my table and others, without using or needing it. Throw it away. Learn to adjust by listening to music. That's what you bought the cartridge for, that's how you should adjust it.

/rant

Hi,

Instruction on the record are poor, that's is true.
Nevertheless I wouldn't say that this record is worthless.
I find the azimuth's track and the resonance test very interesting indeed.
Moreover, I think, and it's been proven to me by listening tests too, that adjusting the antiskate (minimum adjustments) to be able to track the 12dB brings brings up a lot of sonical improvments.
I can't say the same thing for the 14dB though which I had to back up after a couple of hours of listening.

So my understanding is that the 12dB is required to be able to properly track most of your records.

Beside my cartiridge now might be at 35-38 hrs so it is close to the normal behaviour I assume.

I think the matching with tonearm is important and the resonance tests are created for this purpose.
If I have a resonance test at around 15-16Hz, I assume that this should affect the sound and the tracking abilities somehow, and that is what Mike told me right away.

He told me to check it out because resonance has to be around 9-11Hz and he asked me to contact him back after have done certain tests because the stainless steel armtube might be the solution otherwise.

I will keep you posted.

BTW it is the first time I see this interpretation on these tracks.
Thank you for sharing your understanding.

I will reflect on it