VPI HW19 MkIII vs. Michell Gyrodec?


Hi all, I've lurked around the forums here but never posted before. Now I have a question!

I'm looking to take my first real foray into the high-end by upgrading basically my whole system. I'm replacing an AR ES-1/Linn Basik/Aurum Beta and I've got it narrowed down to two 'tables. I'd love to hear what you think about each one, and which you'd buy if it was you:

VPI WH-19 MkIII with an AudioQuest PT-9+ and my Aurum Beta (I'll upgrade the cart later!)

or a Michell Gyrodec SE with the venerable RB300 and my Aurum Beta.

I've been able to audition the VPI locally and I definitely preferred to the Nottingham Interspace, plus I live in a loose bulding with plenty of vibration and NO possiblility of a wall shelf, so I need a competent suspension! However, I hear such GOOD things about the Gyro SE. Unfortunately, there isn't a Gyro even remotely close to me so I hear one.

What to do!?

My amp is a Conrad Johnson MV55, interconnect is Audioquest Viper and AQ Type6 speaker cables to Clements 107di's. I haven't yet bought a preamp but am looking at either the JJ 243 which has a nice tube phono stage, or a CJ PV10B with phono stage.

Thanks for any help!
dirtyragamuffin
Dirtyragamuffin, Nameci:

Guys, I'm NOT saying that a non-suspended TT does not need a wall shelf/solid platform. It certainly benefits - no doubt.

OK, what I was trying to say was a correctly designed non-suspended TT is much easier to work with in terms of getting the best perf. from it compared to a suspended TT. If one is not familiar with how to tune/tweak the suspension correcly, then one ends up obtaining mediocre perf. So, if your home environment is "loose" to begin with + you are a novice @ tweaking suspended TTs, I feel, that you will end up coupling the noise/vibrations from the environment into the TT. Also, the suspension of the TT needs to be checked every 6 months or so to ensure that it's settings have not changed. Not saying that you have to touch is every 6 months but am saying that you got to look @ it to see if you need to touch it. So, it's not entirely set-and-forget. Maybe this is not a criteria for Dirtyragamuffin?

Non-suspended TTs are more novice-friendly & using some pretty straight-forward isolation techniques (granite slab, Bright Star sandboxes, Neuance shelf, etc many of which are inexpensive DIY solutions) one can obtain very good sound from them. Yes, if the floor is loose & you walk across the room - thump, thump, thump - the stylus WILL skip!

Now, if Dirtyragamuffin has a local vinyl guru, who is well-versed in the art of vinyl, and can help him then disregard all this!
Hope that this clarifies my earlier post. Sorry for the misunderstanding it created.
Bombaywalla, thanks for the clarification, I see what you're saying.

Yes I'd be a newbie at working with suspended 'tables. Not saying I'm not willing to learn (I am, afterall) just saying I haven't done it. I do have a dealer who is well-versed and willing to set-up other turntables besides those he sells (my AR, for instance) so if I went Gyro I'm not so worried. He is the VPI (and Nottingham) dealer so I definitely would not have a problem there.

I'm not expecting a set-and-forget table and am willing to do minor servicing of the table where I am able.

To be honest, I've listened to several sprung table and several with no suspension, and so far have preferred the sound of those with suspension...
Bombaywalla,

I'm not sure whether you have owned VPI or Michell but it seems you are refering to Sota or Linn suspension set up regarding the finnicky set up and the constant maintanence.

As for VPI or Michell suspension? I don't remember the last time I had to adjust VPI suspension(what adjustment? set up, level, and forget). As for Michell, I check the bounce once in a while, which never goes out of set up unless I move the turntable. I have owned a number of different turntables including Nottingham, Linn, Sota, Oracle, Michell, VPI, Rega, etc. Suspended or non-suspended, you will need to get used to your turntable and how to set it up unless you have free local dealer service.

As for the sound? I wouldn't argue on which is better design, suspended or non-suspended. They both have its strengths and weaknessses. Also different emphasis of the sound.
For me, I prefer plush sound of the suspended turntable especially with my music taste and my sound preferences.
Hi,

I agreed a suspended table is harder to set up correctly. The Michell is "friendlier" than a Linn as far as set-up, but getting the suspension adjusted just right is still a bear, and does make a huge difference. For me, it was about as dramatic a difference as when you dial in the VTA of a cartridge just right. Not sure about the VPI, since I never owned a suspended VPI.

Terry
Dirtyragamuffin,

Here is non-official Michell set up guide maintained by Werner.

http://www.angelfire.com/music5/michell_gyrodec/

This will give you idea on how to set up Gyrodec/Orbe.

IMHO, VTA/VTF set up is much more involved than Gyrodec/Orbe turntable set up.