The Marantz 10B tuner is my personal favorite. While there have been numerous design innovations since the 1960s --the Schotz front end, for example-- Dick Sequerra's design for Saul Marantz has done something that I've not heard another tuner do.
Often I listen in the dark, when sense cues can take on a 'heightened' feeling, but while listening during the day, I became absorbed in my work while the tuner was on. Several times, while alone I was startled back to awareness by feeling there was someone in the room with me.
The audio cues that lead to that kind of experience are very subtle and complex. The fact that I was startled, literally to the point of having the hair on my neck stand up, attests to the realism of the presentation possible with the Marantz 10B.
Sometimes a component attains highly respected status without cause; in my estimation the Marantz 10B tuner is justifiably worthy of its accolades.
Often I listen in the dark, when sense cues can take on a 'heightened' feeling, but while listening during the day, I became absorbed in my work while the tuner was on. Several times, while alone I was startled back to awareness by feeling there was someone in the room with me.
The audio cues that lead to that kind of experience are very subtle and complex. The fact that I was startled, literally to the point of having the hair on my neck stand up, attests to the realism of the presentation possible with the Marantz 10B.
Sometimes a component attains highly respected status without cause; in my estimation the Marantz 10B tuner is justifiably worthy of its accolades.