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What Does Holographic Sound Like?

And how do you get there? This is an interesting question. I have finally arrived at a very satisfying level of holography in my system. But it has taken a lot of time, effort and money to get there. I wish there had been a faster, easier and less expensive way to get there. But I never found one.

Can you get to a high level of holography in your system with one pair of interconnects and one pair of speaker wires? I don't believe so. I run cables in series. I never found one pair of interconnects and speaker wires that would achieve what has taken a heck of a lot of wires and "tweaks" to achieve. Let alone all the power cords that I run in series. Although I have found one special cable that has enabled the system to reach a very high level of holography -- HiDiamond -- I still need to run cables in series for the sound to be at its holographic best.

There are many levels of holography. Each level is built incrementally with the addition of one more wire and one more "tweak". I have a lot of wires and "tweaks" in my system. Each cable and each "tweak" has added another level to the holography. Just when I thought things could not get any better -- which has happened many times -- the addition of one more cable or "tweak" enabled the system to reach a higher level yet.

Will one "loom" do the job. I never found that special "loom". To achieve the best effects I have combined cables from Synergistic Research, Bybee, ASI Liveline, Cardas, Supra and HiDiamond -- with "tweaks" too numerous to mention but featuring Bybee products and a variety of other products, many of which have the word "quantum" in their description.

The effort to arrive at this point with my system has been two-fold. Firstly, finding the right cables and "tweaks" for the system. Secondly, finding where to place them in the system for the best effects -- a process of trial and error. A lot of cables and "tweaks" had to be sold off in the process. I put "tweaks" in quotation marks because the best "tweaks" in my system have had as profound effect as the components on the sound. The same for the best of the cables, as well. For me, cables and "tweaks" are components.

Have I finally "arrived"? I have just about arrived at the best level that I can expect within my budget -- there are a couple of items on the way. In any case, I assume there are many levels beyond what my system has arrived at. But since I'll never get there I am sitting back and enjoying the music in the blissful recognition that I don't know what I am missing.

I should mention that there are many elements that are as important as holography for the sound to be satisfying, IMO. They include detail, transparency, coherence, tonality, and dynamics, among others. My system has all of these elements in good measure.

Have you had success with holographic sound in your system? If so, how did you get there?
sabai
orpheus10
8,668 posts
 

Sabai, I will be more than happy to tell you everything I know about holography. First, Carver was not true holography. I've owned and tried almost every gimic under the Sun, none of them worked.

Let us compare obtaining holography to cooking a good recipe; you begin with the best products you can buy. I suggest perusing an old library of "Stereophile" magazines and selecting from the components rated "Class-A". You also may need advice in regard to "synergy". Kevin at Upscale Audio is always in a talkative mood. Although I have custom speakers I'm partial to Von Schweikerts.

A dedicated listening room is also essential. There must be space between the back wall and the side wall in regard to the speakers. The only area you can make a substantial savings, is on interconnects and speaker wire. Since high quality wire is a must, you'll have to get it from a speaker store or "Vampire Wire", but you can get it in bulk and terminate your own.

Once you get it altogether, you'll still need advice from your "guru" of choice to make it click; but when it does, you're in "audiophile heaven".
sabai OP
2,027 posts
 
Geoffkait,
To keep things simple, when referring to "in the signal path" I am talking about whatever is actually connected to the circuitry of the system.

Regarding electrons, of course I misstated this. I should have said the audio signal travels awfully fast through cables -- not the electrons. To clarify, the electrons themselves are not actually "flowing" at lightning speed when we talk about the flow of electricity. It is the energy flow via the electrons that creates the audio signal. While the actual speed of the electrons themselves is slow and their movement is characterized by more than one form of movement, the sound we hear actually travels very fast via the energy flow through the electrons. If we had to wait for the electrons themselves to arrive with that signal we would be very disappointed. Each modification of the signal path via cables and "tweaks" changes the signal flow via the electrons. I hope this clarifies how I see signal modification happening.
geoffkait's avatar
geoffkait
23,365 posts
 
Sabai wrote,

"geoffkait, you stated, "I honestly don't know where Sabai falls." Frankly, I don't care where I "fall". Whoever wants to pigeon-hole me can go right ahead."

I did not make that statement. You must be thinking of someone else.

Cheers, GK
geoffkait's avatar
geoffkait
23,365 posts
 
Sabai wrote,

"Geoffkait,
To keep things simple, when referring to "in the signal path" I
am talking about whatever is actually connected to the circuitry of the
system."

I suspect that might makes things a little too simple. Of course it all
depends how one defines "signal
path" I think a more accurate definition, and one that is probably
acceptable even to most naysayers, is the signal path is chain of source
(CD, LP, etc.), electronics, cables and speakers as well as the acoustic
waves that arrive at the listener's ears from the speakers and from room
walls, etc.

For example, I suspect most people would agree that CD tweaks such as
cleaning fluids and the Green Pen are IN the signal path. And most people,
even naysayers, would probably not dispute the room acoustics' effects on
the sound. So, i think we should agree that room acoustics are in the
signal path.

Where I think the definition of "signal path" diverges is
when we discuss devices or tweaks that don't appear to influence the
"electronic signal path" OR the acoustic portion of the signal
path. Isn't that the definition of a controversial tweak? That is why I would
put isolation devices, dampers, diffusers, absorbers, tiny little bowls, tube
traps and Hallographs IN the signal path, even CD treatments, cryogenics,
cable wraps and parallel line purifiers.

But certain (controversial) tweaks like SteinMusic Harmonizer, crystals, the
Intelligent Chip, Acoustic Revive Schumann Frequency Generator,
deionizers and demagnetizers and LessLoss Blackbody seem to fall
somewhere in No Man's Land, difficult to say for sure whether they're in or
out. Still others are clearly not in the signal path - Rainbow Foil, Clever
Clock, Red X Pen, the telephone thing, things of that nature.

Geoff Kait
Machina Dynamica
marakanetz's avatar
marakanetz
5,473 posts
 
If you stand 5m from listening live piano-viola concerto, do you feel a holography of sound? Is it similar to Carver's Sonic Holography?? Or what yall realy mean under Sonic Holography after all??
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