In rock, and on some rock records, too much definition can be a distraction.
It is possible to 'tune' (or voice) a turntable to compliment one genre of music or another. With sixties and seventies rock it might be advisable to select a cartridge and stylus profile that would not be too terribly revealing of guitar amp fuzz and distortion.(the intentional stuff). Perhaps conical or, at most, an elliptical stylus profile would omit some of the definition of the distortion. We don't want to highlight guitar amp fuzz. Better to extract less of it while still reporting the overall content within the groove. A cartridge/arm pairing known for producing gobs of bass energy and a muscular midrange.....and a little bit rolled off in the highs could be nice. Try to imagine a certain 'warmth' within the higher frequencies. That might help screaming, screaching guitar solos sound more stellar...and cleaner. To some ears anyway.
Arm and cartridge are certainly key players. For that matter the signal chain going into the phono stage. If LOMC, then step up trannies play a role in determining part of the sonic character of the cartridge in use. Tune for punchy and clean. A DL-103R sounds more aggressive with a 30:1 turns ratio than it does at 10:1.. We want aggressive for rock...and just about everything else for that cartridge.
The motor unit itself. (turntable less tonearm). many possibilities. But we want a TT that will not at all be affected by stylus drag as the highly modulated passages are read. I'm thinking idler territory but also direct drive. Belt drive...? some belt drive turntables rock out better than others. Those least affected by stylus drag are the ones that will produce the visceral wollop, muscular drive and the drums that leap out of the speakers in front of you.
This is why I keep more than one turntable ready for work. One in particular for rock. It is more of a blunt instrument. A sledge hammer that over time has been voiced (by me) for groups like Led Zeppelin. But the other turntable is more revealing, far more capable of extracting detail, micro and macro and retrieving the gentle nuances as well as the astounding feel it in yer guts wollop of the bass drum in Stravinsky's Firebird so much so that it resounds througout the listening room and is felt in the listener's bones. The full range of what the symphonic orchestra can produce. that is a player tuned to a sharper degree. We want that for classical.
In rock, and on some rock records in particular, too much definition can be a distraction..
m2c, ymmv, etc.
-Steve