Excellent posts and refreshing to see musicality discussed as it relates to the music and not just some abstract, and usually mistaken, description of the sound of equipment. A couple of thoughts re some recent comments:
I think that it's important to remember that music affects our emotions in two different ways. There is an important distinction between perceived emotion in music and emotion that is felt. For instance, sometimes a performance is so rapturous and heart-felt, or so in-synch with what the composer intended, that the listener cannot help but be moved by it; it is felt. Then there are works and/or performances that are intended to evoke a certain emotion (fear, for instance) and the listener can understand this, or perceive this without actually feeling that emotion. I do agree that, as Learsfool points out, emotions are part of music. Once a work leaves the printed page (in the case of non-improvised music), the performer's emotions are an integral part of it; it is not simply organized sound. At that point listener personality becomes an important component of the "mix". Listeners of certain personality types react to certain music and certain performance styles differently than other listeners; and react (or not) differently to the expressed emotion in a performance.
I think that it's important to remember that music affects our emotions in two different ways. There is an important distinction between perceived emotion in music and emotion that is felt. For instance, sometimes a performance is so rapturous and heart-felt, or so in-synch with what the composer intended, that the listener cannot help but be moved by it; it is felt. Then there are works and/or performances that are intended to evoke a certain emotion (fear, for instance) and the listener can understand this, or perceive this without actually feeling that emotion. I do agree that, as Learsfool points out, emotions are part of music. Once a work leaves the printed page (in the case of non-improvised music), the performer's emotions are an integral part of it; it is not simply organized sound. At that point listener personality becomes an important component of the "mix". Listeners of certain personality types react to certain music and certain performance styles differently than other listeners; and react (or not) differently to the expressed emotion in a performance.