@phusis ,wow, that is an end game. I knew those were theater speakers the second I saw the pic and I have seen pics before where members put them behind a screen, built into a wall. Your setup doesn't hide them but has them stand up and salute, nice. I know how it goes with "final" touches as there is always room for something to squeeze a little more. Do you take measurements? Thanks for posting.
What is Your End Game System?
How do you "measure" your end game system? Is it by budget, how much it cost? Is it by the luxuriousness of your build and room?
Is it by your components being either state of the art or unobtanium? Is it by the satisfaction you get when you are sitting in your listening chair?
What is your end game system and how do you know when you have reached it?
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@kota1 wrote:
Thanks. To my mind there’s something to be said of the "aesthetics" of functionality as a very clear reflection of ’form follows function,’ and not the other way ’round as something that more predominantly caters to interior decoration and (anti-)size demands. Pro cinema speakers are meant to be placed and hidden behind perforated screens, and thus any design considerations as it pertains to their looks are zilch (I guess this can be said of most pro designs). If anything there’s an honesty to their appearance, not least with regard to the design efforts invested towards functionality; what you see is what you get, and yet to many an audiophile this may be misconstrued as sonically crude and unfit for a domestic environment.
Indeed. Pragmatically speaking "final touches" can very well be, maybe even mostly so about that endless tinkering within a given setup context that may involve the occasional and local hardware replacement, yet as something that wouldn’t affect the overall approach and path chosen. "Final touches as a refinement work-in-progress within a specific setup context" may be the more appropriate way to go about it.
Yes, near-field measurements have been taken of the horn section on top to assist digital filter adjustments and finding the precise frequencies to place notches and a mild peak suppression (these measurements fairly closely mirrored those found via EV’s own measurements, which initially served as an outset). From hereon the specific gain and Q-values of these minor corrections have been found by ear. The remainder of the driver section, i.e.: the EV bass bin + tapped horn subs, use no PEQ’s within their frequency span, other than of course cut-off frequencies, slope type and gain structure. |
My end game setup, including the room would be centered around top of the line MBL speakers. If I can't afford those, then one notch down in MBL lineup - 101 E vs. 101 xtreme in current lineup. A good tube preamp would be next, and 101 Es have very poor sensitivity of 81 db, so a good strong set of solid state amps would be in order. I doubt I would be able to afford x-tremes, and even if I had $200K to spend on something awesome made in Germany, a Porsche would be much higher on the priority list. |
A Porsche, while fun do drive plus being a great sports car, and it has that "look at me" factor, they are not really all that dependable. If you do buy one, be sure to have Geico Auto Insurance, and include in your policy, the Mechanical Breakdown Insurance. THAT will save your bacon, unless that is, the sound of Benjamins flying out of your wallet. :P
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That Porsche shock tower looks like buildings I saw after an earthquake here in Christchurch NZ - the concrete pilings were driven straight up through the concrete floors. Not as bad though as a Mitsubishi Evo driver at our Audi club meet where some wag turned the active yaw control off and went straight off the track on the first lap. Car was a write-off. Never saw him again.
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