In the 1960’s, the home of everyone I knew had a console TV/radio/record player. That’s what all we kids played our 7" 45’s and LP’s on. In the summer of ’68, I heard my first component system: a good friend, who had left San Jose in the fall of ’66 for the bohemian beach town of Santa Cruz so as to not have to, like David Crosby, cut his hair (Cupertino High had a dress code, Santa Cruz High did not) had found a transcription turntable (a green felt mat glued onto it’s huge steel platter) at a local radio station in the summer of ’68, and then bought a Scott 299C and Scott 2-way bookshelf loudspeakers to go with it. Best sound I had ever heard!
Hearing that system started me down my own hi-fi path, which was kicked into high gear when in 1972 I discovered a little magazine put out by a guy on the other side of the country, who went by the odd name of J. Gordon Holt. Why put the J there if you’re not going to use it, I wondered? Anyway, by the time I was putting together my first big system (ARC electronics, Magneplanar Tympanis, Thorens/SME/Decca) in ’73, my friend had become more interested in the recording of music than it’s reproduction in glorious hi-fi sound. He never progressed beyond the mid-fi level. But he’s got a pretty nice recording studio in Los Angeles ;-) .
Anyway, my point is that he and I were the only two people in our circle of friends (almost exclusively musicians) who had anything approaching a hi-fi. Hi-fi fiends have ALWAYS been a tiny minority in the music loving community, which is itself a minority of humanity. Is the current situation so different?