What should I upgrade first amp or preamp?


I need your help. I have OPPO BDP-105 connected to PASS Labs XP-10 and XA-30.5 driving 89 dB at 4 Ohm Snell C7. Looking to upgrade my system and planning to spend $ 3000-4000. I live in the apartment building and unfortunately can't listen to music very loud (no more than 58-62 on the XP-10 display).
What would you suggest to do, upgrade preamp to XP-20 first or amp to two XA-60.5 or to XA-100.5 and why. Upgrading an amp is more problematic due to the space constrains.
What will I gain and what should be the difference in sound in each of those cases?
Thank you.
karapuz
While the XA30.5 probably has all the power you need, my Pass dealer had told me that in the XA series, more so than the X series, the overall sound quality improves more each step up the line.
I would speculate that a major reason for that would be that the higher powered XA amps continue to operate class A up to considerably higher power levels than the XA30.5. But considering the OP's listening levels and speaker sensitivity, it seems likely that his XA30.5 goes into AB mode rarely if ever.

Regards,
-- Al
Not to mention that even though he mentions the XA100.5, he would have to double the amount he states he wants to spend.
What about dynamic peaks Al? I've read your threads on that and wonder if that matters less at low volume?
JL, as the average volume level is reduced, the volume of dynamic peaks will be reduced by the same number of db. Per the calculation methodology I described in the thread you are probably referring to, with the OP's speakers listened to at a 3 meter distance the XA30.5 wouldn't leave class A until levels of around 97 db were exceeded. (It's coincidental that the 97 db figure in this case is the same as in the situation in the other thread).

I doubt that 97 db would be exceeded on dynamic peaks more than rarely (if ever) in the circumstances the OP describes.

Best regards,
-- Al
There are several upgrades you could do...

Try a Pass X150.5. I was told that although the XA sounds warm, the X.5 series has better bass control, better detail, better clarity, faster speed and better articulation for dialogue in movies. Cost approx $3900.

Try Grover Huffman cables. They are endorsed by Steve Hoffman, famous studio mastering engineer. Grover only offers one quality level, his best, no hype about spending more money to get better sound. His design is patented, he has over 10 years experience, offers a 60 day money back guarantee. I have never seen a negative about them. A reviewer from Positive Feedback wrote " Well, for circa $1000, you can connect your entire system with Grover Huffman cables, and you will be hard-pressed to find better. Each of these items—interconnects, power cords and speaker cables—is in the first rank of its respective class, and has my highest recommendation. Truly outstanding. Tom Campbell" Affordable Audio wrote "Grover Huffman cables are the most affordable cables I've had in my system for years, and yet in many ways they are the best. Regardless of price, their strengths lie in the musical balance and timbrel accuracy they bring to the fore, assuming your system can provide these. These are qualities that really matter for me, but the Huffman cables do this without any loss of detail or curtailing of frequency extremes. You can pay more, you can pay less, but if there is a sweet spot where sonics meet cost, Grover Huffman is sitting in it. Highly recommended." $230 for 1meter XLR pair. Speaker cables $20/ft.

Try a different preamp. Classe SSP600 can be bought used for $2000 and Meridian have good reviews. For even less money but more features you can buy an Integra DHC-80.2 with Audyssey room correction, equalizer, internet radio, and FM and HD radio. Kal Robinson, editor of Stereophile uses one.

Modwright Oppo blu-ray players are great. I lucky to find a used BDP-83SE. You could buy a BDP-95 for $1k and do the stereo mod for $500. The benefits are described as "The end result is a clear improvement over the stock player, ridding the music of digital edge and glare and providing a significant improvement in overall musicality. The lower noise floor and cleaner signal path allow for a broader soundstage and greater refinement of overall resolution and detail. This is due largely to ridding the circuit of one entire op-amp stage, as well as upgrading the signal path resistors and improving the remaining op-amp stage."