OK, I'll try to answer everybody's posts in one response. Thanks for getting back to me and engaging in this conversation.
First, I did list my current system at the top of my post. I will list cables here in just a minute.
Second, aside from the Revel F308's, I did listen to all of the speakers I listed in my post at the CA Audio Show (my first show......fun, but overwhelming).
Third, yes the Ayre is USB only. I use an Auraliti PK90 USB server connected to a generic hard drive filled with uncompressed FLAC files in a variety of sampling rates ranging from 44/16 up to DSD files.
Fourth, I'm currently borrowing a bunch of cables, and, frankly, these cables have made a huge difference, but they would be crazy expensive to buy (representing something like 100% of the cost of my system). Here's the list: WyWires Silver speaker cables, Wywires Platinum IC between Amp & Pre, Wywires Silver power cord to Amp, Wywires Blue power cable to Pre, Harmonic Tech AC-11 power cord to DAC, Harmonic Tech IC (Magic Link 2) between DAC and Pre, Grover Huffman power cord to Auraliti server, Wireworld Platinum Starlight between DAC and server. With these cables in place, the system sounds better than it ever has.
Fifth, for space reasons, and cable costs, I'm really wanting to shift to an integrated SS amp. Also, my Bryston is "acting up" and only has a couple more years of warranty left. The Proceed Pre is also manifesting some sporadic problems. These are just old pieces and I think it time to modernize a bit.
Sixth, as I said, the WAF factor of the Revel F30's has been perenially low; since she's willing for us to invest in some new gear, thought I'd pay more attention to this issue.
Seventh, we listen to a wide variety of music, but primarily electronic Jazz (e.g., Pat Metheny and Bela Fleck), acoustic solo piano and guitar in a variety of genres, symphonic music, and good old rock n' roll (mostly from 70's, although the occasional modern pop song will grab out attention).
Finally, the issue we both noticed with the Revels (and much improved with the thousands of dollars of cables listed above) is two-fold: bloated bass (recording and cable dependent), lack of integration of drivers. You can literally hear (at the right volume and with right music) the physical separation of the woofer from the tweeter/mid "module." It's very disconcerting. We like relatively deep and full bass, but tight. We also are soundstage addicts....the bigger the better. Detail that's musical is also high on our desired traits.
So, that's the scoop, with as much detail as I could manage.
Thanks in advance.
Matt
First, I did list my current system at the top of my post. I will list cables here in just a minute.
Second, aside from the Revel F308's, I did listen to all of the speakers I listed in my post at the CA Audio Show (my first show......fun, but overwhelming).
Third, yes the Ayre is USB only. I use an Auraliti PK90 USB server connected to a generic hard drive filled with uncompressed FLAC files in a variety of sampling rates ranging from 44/16 up to DSD files.
Fourth, I'm currently borrowing a bunch of cables, and, frankly, these cables have made a huge difference, but they would be crazy expensive to buy (representing something like 100% of the cost of my system). Here's the list: WyWires Silver speaker cables, Wywires Platinum IC between Amp & Pre, Wywires Silver power cord to Amp, Wywires Blue power cable to Pre, Harmonic Tech AC-11 power cord to DAC, Harmonic Tech IC (Magic Link 2) between DAC and Pre, Grover Huffman power cord to Auraliti server, Wireworld Platinum Starlight between DAC and server. With these cables in place, the system sounds better than it ever has.
Fifth, for space reasons, and cable costs, I'm really wanting to shift to an integrated SS amp. Also, my Bryston is "acting up" and only has a couple more years of warranty left. The Proceed Pre is also manifesting some sporadic problems. These are just old pieces and I think it time to modernize a bit.
Sixth, as I said, the WAF factor of the Revel F30's has been perenially low; since she's willing for us to invest in some new gear, thought I'd pay more attention to this issue.
Seventh, we listen to a wide variety of music, but primarily electronic Jazz (e.g., Pat Metheny and Bela Fleck), acoustic solo piano and guitar in a variety of genres, symphonic music, and good old rock n' roll (mostly from 70's, although the occasional modern pop song will grab out attention).
Finally, the issue we both noticed with the Revels (and much improved with the thousands of dollars of cables listed above) is two-fold: bloated bass (recording and cable dependent), lack of integration of drivers. You can literally hear (at the right volume and with right music) the physical separation of the woofer from the tweeter/mid "module." It's very disconcerting. We like relatively deep and full bass, but tight. We also are soundstage addicts....the bigger the better. Detail that's musical is also high on our desired traits.
So, that's the scoop, with as much detail as I could manage.
Thanks in advance.
Matt