I really think the power amp is where tubes matter the most. My experience is more limited to guitar amps, but they certainly are amplifiers.
I own a class A tube preamp made by Matchless, which is quite a great item, btw. I also own a '67 Fender Super Reverb. While the preamp is a great thing to bring to a rehearsal room so I can warm up the inevitable Solid State Roland Jazz Chorus I'll find there, it just can't sound as good as the all-tube Fender.
I find that I get the best tone from any amp (clean tone, that is, which is what you're looking for in an audio setting), by keeping the preamp levels as low as possible in favor of cranking the power amp, at least up to the clipping point. Granted, each component may have a sweet spot where you have to set the gain higher on the pre to get the most out of it, but in general, I'd prefer to hear the sound of the power amp opened up than the pre.
As such, I'd much prefer to have a tube power amp and ss pre, if forced to make the choice, than the other way around.
D
I own a class A tube preamp made by Matchless, which is quite a great item, btw. I also own a '67 Fender Super Reverb. While the preamp is a great thing to bring to a rehearsal room so I can warm up the inevitable Solid State Roland Jazz Chorus I'll find there, it just can't sound as good as the all-tube Fender.
I find that I get the best tone from any amp (clean tone, that is, which is what you're looking for in an audio setting), by keeping the preamp levels as low as possible in favor of cranking the power amp, at least up to the clipping point. Granted, each component may have a sweet spot where you have to set the gain higher on the pre to get the most out of it, but in general, I'd prefer to hear the sound of the power amp opened up than the pre.
As such, I'd much prefer to have a tube power amp and ss pre, if forced to make the choice, than the other way around.
D