Who says cables don't make a difference?


Funny, after all these years, people still say things like "you wasted all that money on cables". 
There are still those who believe cables don't make a difference.
I once did marketing for a cable line I consider to be about the best-Stealth Audio Cables. 
One CES, I walked the rooms with the designer/owner, Serguei Timachev. He carried a pair of his then new Indra interconnects. Going from room to room he asked the room runners to replace their source to preamp IC with the Indra. There was not one that was not completely flabbergasted and said that the Indras blew away what they were using. That was the skyrocketing of Indra and Stealth. The Indra became one of the best reviewed cables ever.
Serguei now makes the Sakra-an IC that blows away the Indra!
I don't understand why some still do not value cables as much as I.
mglik
That’s an illogical argument re the studio cables. With home systems or at shows we’re only worried about the playback system. It’s too late (obviously) to address what was already recorded. You do the best you can with what you have. You play the hand you’re dealt, whatever. If the studios had used higher end cables than Mogami doesn’t it make sense the recording would have been better to begin with? Not all studios use the same equipment or cables, some use really high end cables and microphones, others not so much. No matter how much you have in the end you would have had even more IF you had started out with more.
You mean you listened to a high end system that just happened to have expensive cables.

stroud276125 posts07-01-2020 3:43pmI'm intrigued by this debate. I've listened to high-end cables at local audio events, and the music always sounds good.

re: Studio cables- Typically; each of those cables is carrying only one voice per, be it vocal or- an instrument, with that one voice’s limited bandwidth, to the mixing console.      There may be a snake in there, also.         On the other hand; our interconnects are responsible for an entire ensemble of voices, plus the hall ambiance info (if live and well recorded, obviously), covering the entire audio frequency spectrum, hopefully: faithfully.
Now do a live microphone for an orchestra. Let's ignore that signal transfer doesn't work that way ....
Of course cables make a difference. If some people can't hear it they should be grateful to be able to put the money towards something else. All cables make a difference including digital cables. Sometimes it really is trivial, Sometimes dramatic. There's no need to go broke but a little upgrade can go a long way.