Why do people buy into expensive cables?
They do give you more of resolution, frequency extension, etc., but while you get more of this and that, sometimes the balance taken a back seat, but then there is another important reason people feel the urge to buy expensive cables:
*Marketing
tactics by cable manufacturers*
Case
in point:
The LessLoss C-MARC power cable was press reviewed by 6 moons in May 2017, and by Mono and Stereo in
August 2017. Note that in both reviews, the price of the power cords was
alleged to the respective reviewers as USD 735 /2m. Shortly after the reviews,
the price of the LessLoss C-MARC power cable went up by a significant 56% to USD
1148 /2m within a couple of months.
LessLoss’s
website has a description of the technologies for making this cable, which is essentially
the same as that quoted by Mono and Stereo in its press review, word for word.
The external appearance and picture illustration of the cables geometry also
seems unchanged between the time the review was published and latest. What is
happening, that a 56% price jump shortly after the press reviews? Wouldn’t a
reviewer comments have been changed if he knows the product is going to sell at
much higher price level, or at least have his enthusiastic tone tempered if he
knows this is going to happen?
Now
here is a new formula for marketing audiophile cables that all audio
manufacturers need to acquit themselves of:
- Get the good reviewers
- Audiophiles rush in their orders for FOMO (Fear
of Missing Out)
- Substantially raise the price shortly for
essentially the same product
- Justify your price escalation within a short
time by seemingly logical reasoning (advanced
technologies, arduous manufacturing, etc.)
The
standard reply from a cable manufacturer would goes along the lines like “we
introduce some new design elements after the press reviews that makes our cable
much better, and we want our customers to have the best, but it also means our
production cost runs up as well…”. That may well be true, in some cases. That
said, what would be the reasonable level of wages paid by LessLoss to their
workers for making these cables? Mercedes-Benz announced some time ago that it
already sold more than 2 million units before reaching end of 2017. Our
engineering and modernization has reached a point where, with few exceptions,
making a cable is pretty much a semi-automated process, however fanciful claim
a cable manufacturer may postulate that justify significant jump in price level
within a short time.
Other
than that such self-justifications failed the law of diminishing returns, it begs
the question that if it is true the new version is much better than the one
submitted to the reviewers, wouldn’t it be sensible to launch to the market
and, for that matter, submit to the reviewer the final version rather than some
sort of early prototype? Everyone can see it would make more sense to do it the
other way around, as all manufacturers would want a rave review of their
products in order to sell more, so it would be in their interest to submit to
the reviewers the final version, which presumably would be the better product
than the prototype – why otherwise would you not launched the original
prototype to the market?
If
LessLoss somehow come up with a new fanciful formula to make a significantly better
product within a couple of months, what would be the reason for that seemingly sudden
revelation that makes the substantial technology advancement possible? Even if such epiphany from God do happen to LessLoss’s
president Louis Motek and his team, you would expect the manufacturer will name
the subsequent much better product differently (“performance series”,
“signature series,”, etc.). Diligent audio manufactures do this in order to
distinguish the performance parameters between different series. Why would a manufacturer
stick to the prevailing product name now associated with some rave reviewers,
if the new product is really that much better?
While
I commend LessLoss for its marketing genius, I can see few of their practices as
doing service to the audio industry.