Why does my old CD player sound so much better than my new streamer?


Earlier this year I upgraded my system. Briefly, new Prima Luna Dialogue Premium HP integrated, new Lumin D2 streamer/DAC, kept my Tekton speakers, bought a 10 year old Muse Erato CD player, new Nordost Red Dawn cables all around.  After plenty of break in, the Lumin D2 streaming Tidal, even 24/96, does not sound close to as good as the Muse Erato.  I understand the Muse was about $10k new years ago, I paid $650 for it on Audiogon, is that the difference? It replaced my Naim I had for 20+ years and I bought it on the chance I want to listen to something not on Tidal, but now I'm going to CDs when I want to sit and listen instead of streaming. I considered upgrading to the Lumin T2, but will that be more of the same Lumin sound, which is accurate but thin and a little cold compared to the Muse.  I like the Lumin when just letting Tidal shuffle music as I move around the house, but from the opening note in an A/B test the Muse just sounds so much warmer, live and simply more enjoyable. Any thoughts or suggestions?
fsgattuso
The biggest benefit of a turntable is the fact that you can play old records that come from the real master. Because there are many old recordings from which there are no real masters anymore. So they use a back-up copy from which they made a CD. But all these CDs are very poor.

This means that no CD-player or even network player can ever come close to a good turntable with old recordings. I heard it at different times and I sold also many turntables in the past. It is maybe not my personal choice, but I understand very well the benefit of a turntable.

When a network player has an inbuilt DAC the level in layering becomes bigger. This is why it is a lot more effective to modify a network player with an inbuilt DAC. Now in 2019 we are still waiting and hoping to find a separate DAC that has a much higher level in diversity in sound.

We always make those choices that create the best results. We auditioned many expensive DACS with network players and they were not able to reveal the same level in layering we have. Besides the layering in sound, a modified Lumin is a lot more dynamic compared to separate DACS with network players. I need to mention that we also use modified power supplies.

So the combination of a modified Lumin network player and a separate modified power supply together makes the big difference in the end result. The Lumin owns the perfect DNA to be upgraded with a modification. This means that their technique is essential for us to create and achieve this ultimate level.

This is why we are always are looking for the best DNA to create together with our modifications to the best results. Without this DNA it is impossible to create any ultimate level in quality and end result. This means that even before a modification the source needs to be able to reveal all aspects of sound.
!! Please don’t react to the lies of people. Some people are so pathetic that it is not even worth to mention it. This person has never been a client of ours. This is why our clients will post over here their own stories of their modified Lumin network players.
My direct disc 78s didn't have tape in the way.  They can have superb musicality despite their sonic shortcomings.  However, CD remasterings can improve the sound with reequalization, speed control (for acoustics) and noise reduction that enhances the sound as well as the performance.  I appreciate the sound of my CD remastered 78s more with my higher end (not SOTA) system, particularly due to their performance and dynamics sound.

bo1972
"
When a network player has an inbuilt DAC the level in layering becomes bigger. This is why it is a lot more effective to modify a network player with an inbuilt DAC."

The "layering" that you refer to here is an illusion that is a a direct, inherent, and inescapable consequence of your inability, refusal, and failure to adjust for ICSS distortion in your "Tru-Fi" protocol and in absolute fact if you were not using inferior, substandard, poorly designed Music Reproduction System component's you would have no need, desire, or motivation to modify them which of course immediately and permanently voids warranty protection for the customer! 
Soon different clients will tell in a review their own experiences. The distributor of Lumin is so impressed that they will invite Lumin to visit us. Soon we will publish it as well. The facts always will tell the truth.

All our products have 2 years full warranty. Even the modified ones. We made perfect agreements with the distributor of Lumin.

HERE ARE SOME FACTS TOO;

Thread: Wilson Audio Haters


01-18-2017 8:12pmWith your permission, if I may, please kindly allow me to elucidate these matters regarding Bo, who is a visionary and trailblazer in the world of hi-fi.

How, you may ask, do I have anything to contribute to this detailed discussion? I am a client of Bo. By client I mean that I am not a customer. It is much the same as when you visit a physician or a lawyer. The wise man does not instruct the professional how to treat his ills! He entrusts the outcome with the professional of his choosing. Otherwise a man could treat or represent himself.

Music is all about emotion. When I felt that my music reproduction system and associated components and installation was failing to deliver proper emotion to me I decided to seek Bo for consultation. Bo was very generous with his time! He showed me how Tru-Fi works. It can be demonstrated to every listener that Tru-Fi works by applying properties to the reproduction of music. By proper application of these properties, which sometimes requires adjustments to within .5 mm, Tru-Fi can be achieved and all will agree that this is how hi-fi should be sold. Not all components are capable of Tru-Fi. Because Bo has a photographic memory as applied to sound reproduction, Bo can identify those components that deliver 3D sound! Most components deliver only 1D or 2D sound! This Bo can demonstrate.

Bo can evaluate your 1D or 2D music reproduction system and prescribe a solution using components that are 3D and can deliver Tru-Fi. These are improvements all can hear because music is about emotion and all can feel the emotion in reproduced music once Bo has demonstrated Tru-Fi to you. He can do this in a shootout as he has done many times and proven to all who listen.

Throughout the course of Human History visionaries and trailblazers have been laughed at, minimalized, derided, ridiculed and chided. Bo knows this! He is being generous by contributing here to share his knowledge about Tru-Fi and the way it can be applied using properties to music reproduction systems and installations. He has demonstrated to many manufacturers, distributors and designers of components used in music reproduction systems the ways of Tru-Fi and properties and I suspect that you will see some major manufacturers adopt Tru-Fi methods, techniques, standards and practices as time moves forward. This is because all who hear Tru-Fi exclaim for the first time they are hearing the emotion in music, which is what music is all about.

Those of you here who are dubious about Bo have never heard Tru-Fi and have not heard 3D sound in their music reproduction systems. Once you have heard Tru-Fi, you will realize that all other approaches to the design, assembly, fabrication, installation and specifying of music reproduction systems is flawed. Only Tru-Fi can deliver the emotion in music, which is what music is all about. There is no point to music reproduction systems if there is no emotion.

I hope Bo will forgive me speaking on his behalf here.
clearthink
879 posts

When we did not want to help him anymore, he became very aggressive and start telling lies. These kinds of people are mentally sick. It is really sad that they can not control themselves. And put a lot of lies and nonsense on this website.