Why is Sony Digital sound more like vinyl?


I have had Levinson, BAT, ARC, Wadia, Meridian, Denon etc...players..and the top ones, yet when I purchased a Sony scd-XA777Es I was touched in a way none of the others could! The one thing in common with the other gear was Burr Brown DAC's. Also, I have come to believe that RCA (single ended)connections are more musical. Most of my gear has been balanced...when I went all single ended...ah!!!...music like when audio was new!! Lastly, I have found that if CD playback levels on a preamp rise quikly with low volume settings...musicality and low level detail is lost. Perhaps others out there in Audiogon land have pondered my musings...or maybe I've got way to much time on my hands!!
128x128dave_b
Audioengr: Playing music and playing a disc such as the Ayre that i mentioned are very different things in terms of how it "works" the component. This is due to the differences in spectral balance and average levels achieved. By working the entire audible spectrum at a high average level, the break-in is both faster and more thorough in my experience.

As far as the analogue outs vs the digital outs, my experience with this player is that they sound very similar if using a relatively neutral DAC. In effect, the transport seems to impart much of the sonic signature that the 963 brings along with it. Quite honestly, i was amazed at how much the sonics of a transport impart into a system. That is, once i had a DAC that was good enough to reveal these things : ) Sean
>
I have been lately to philharmonic after long, long break (in Philadelphia), I have forgotten how good sound can be.
I could not believe what I was hearing. Even the best high-end audio rig exceeding 200k$ was not even close to me not to mention SONY...
Why if SONY is that good I have not seen one on HE 2001, HE 2002, HE 2003, HE 2004 used as a source ?
But I have seen as a source:
EMM Lab, Accuphase, Wadia, Cary, Theta, Audio Aero, Lector and others, not even one SONY ???
This is one of greatest post !!!
Base on my experience, so many of us are biased with name brand, and we can tell through reading this post.
If you come to a house/dealer... for an audition and without knowing namebrand of gears, how many of you can confidently distinguish SCD-XA777ES from others mentioned above ?????????
The industry has to sell gear...money makes the world go around last time I checked...and there is alot of tasty treats to be had but I say again..(I've owned most of the names mentioned or at least demo'd the others extensively at home)...the Sony sounds more natural or unhyped when carefully set up...the others make great initial demonstration gear because they grab your attention quickly!

The Sony draws you in unexpectadely upon extended listening...it is no way near perfect but it gets the essentials right..I didn't want to sell my $18k Levinson rig f or fun or the Wadia 861 or anything else...they just sounded wrong over time to the point I considered giving up this hobby!!!
Such an interesting thread. I continue to audition my new, (used) Sony XA777ES and the word that comes to mind is honesty. The dynamic range is very honest. When a solo violin plays, it's rather smallish, though when the orchestra roars, there's quite a bit of inertia behind the volume; the mark of a excellent CD player. Symphony practice just started up again and during pieces in which I don't play, I got a chance to sit in the hall and listen critically. It was, in fact, similar to Sony's presentation--at least the XA. There's no playing to the peanut gallery with the Sony--no hyper-realism--stings are in their place, bells sound like bells without splitting atoms, etc. I don't find the player harsh at all, though my Musical Fidelity A308 and Vandy 3a sigs are very friendly in that respect.